A few years a small group of us were headed into a beautiful Utah canyon on a late-October morning. We were looking forward to photographing the colorful canyon walls, the river flowing along its path, and autumn cottonwood tree colors. But as we approached the canyon entrance, before the walls began to rise above us, we were distracted by an area filled with this brush with its own version of fall color.
Continue reading Autumn Brush
Surprisingly, for those of us who love winter, spring can evoke some of the same bittersweet feelings that autumn evokes. The season of interesting weather, dramatic skies, and migratory birds is passing. With that in mind I made one more visit to the Central Valley to see if the birds had departed. Some had — I saw no sandhill cranes at all. But I was treated to a stupendous dawn fly-out of geese.
I half expected that snow geese and Ross’s geese would have left already. In the past they were there at the beginning of the month but gone before the Ides of March. I arrived before sunrise and saw no geese at all, but a few minutes later I heard a few in the distance. I headed that way, and soon tremendous fly-outs began all over the surrounding wetlands. Thousands of geese took off into the colorful cloudy sky above the distant Sierra Nevada during the next half hour. And then they were gone.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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This is another photograph from “nowhere in particular,” a location where I often find myself while searching for subjects. It turns out that there’s a lot of interesting stuff to see there if you slow down a bit and keep your eyes open. This slope is on the west side of a range of Utah mountains that overlooks much lower desert country, and I photographed it late in the day when the light was warm-toned and soft.
I suppose that this photograph violates a few of the “rules” about having a clear primary subject and so on. But here the main focus isn’t a single thing — it is the overall wash of color and texture on this hillside. Where is this spot? I can say that it is in the Dixie National Forest, but that is about as specific as I’ll be!
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
The camera position for this photograph was a high point in the Panamint Range of Death Valley National Park. We arrived before sunrise, when the sky was just beginning to take on dawn colors, and the clouds were becoming blood red. There are few colors in nature that are as intense… and as difficult to photograph, at least if you want the photograph to suggest what you saw when you were there.
To my way of thinking, after a few decades of visiting and photographing the place, the most interesting locations in this park are not the most popular ones. They are off in odd, sometimes distant corners of the region. You may have to deal with a few adversities getting to them. (One winter I was turned back from this location by snow.) But the rewards are worth it.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.