The late-day light on autumn aspens is a fleeting thing, especially here along the east slope of the Sierra Nevada where peaks tower to the west. Over the years I have become familiar with the rhythms of this particular spot. I know that the best light happens during the half hour (or less) before the sun drops behind those peaks. So I arrive a bit early, pack a long lens, and prepare for a half hour or so of intense photography.
Continue reading Aspens and Distant Mountains
I have spent less time in the Sierra this season than usual — perhaps due to some other travel earlier in the year. I finally got up there near the end of August for a few days of photography and mind-clearing. But over the past two weeks I’ve managed two trips over the crest to photograph the fall color transition and related subjects. This photograph comes from these recent visits.
Continue reading Fallen Leaves
There is a lot to see and photographer during sunrise at Mono Lake. I was there again in late August, driving down from my Sierra campsite well before the first light. The entire process of sunrise offers photographic possibilities, from the first faint eastern light to the eventual direct sunlight on the landscape as early morning colors begin to fade. Over that entire period I worked quickly, moving from subject to subject as the light and conditions changed — focusing on everything from the sky and clouds to the tufa formations, the water, the face of the Sierra Nevada and even some birds.
Continue reading Tufa at Dawn
A few years a small group of us were headed into a beautiful Utah canyon on a late-October morning. We were looking forward to photographing the colorful canyon walls, the river flowing along its path, and autumn cottonwood tree colors. But as we approached the canyon entrance, before the walls began to rise above us, we were distracted by an area filled with this brush with its own version of fall color.
Continue reading Autumn Brush