This was my final aspen photograph of the day. These trees grow in what feels like high desert terrain along the eastern slopes of the Sierra Nevada. This is essentially “sage brush country,” though as the elevation rises there are increasing numbers of conifers. Being east of the crest of the range, the area falls into evening shadows well before actual sunset.
Continue reading Evening Aspens
The late-day light on autumn aspens is a fleeting thing, especially here along the east slope of the Sierra Nevada where peaks tower to the west. Over the years I have become familiar with the rhythms of this particular spot. I know that the best light happens during the half hour (or less) before the sun drops behind those peaks. So I arrive a bit early, pack a long lens, and prepare for a half hour or so of intense photography.
Continue reading Aspens and Distant Mountains
The colors of autumn aspen trees are so impressive that you might think that photographing them is simple. But there are challenges, at least not if you want the best possible photographs. The intense fall colors present a challenge to modern digital cameras. Very intense colors,like the yellows, reds, and oranges of these trees, can “blow out” the image if you use a “normal” exposure. The color is very intense, especially if the leaves are in direct sunlight. That’s why I often prefer to photograph these trees in soft, filtered light ore even in shade.
These trees are part of a very large grove on the eastern slopes of the Sierra Nevada. In this frame you can see trees at almost every stage of the transition, from green leaves to a few that are almost bare. In this case the combination of the Sierra crest to the west (right) and some scattered clouds served to make the light more gentle.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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One challenge when photographing Sierra Nevada aspen color, at least if you want large scale views of groves, is finding a suitable vantage point. Some groves are beautiful… but a long distance from any easy access. Others would make lovely photographs, but there is no clear, unobstructed view of them. (In those cases, going inside the grove works, but with a different outcome.) The trees in this photograph solve both problems — they are easy to access, and there is a clear view from a nearby elevated position.
Notice how the bands of trees seem to take on different colors as the fall transition progresses. The foreground group and one in the distance are still mostly green. At the left you can see the end of a bright yellow band of trees. The group in the middle has the less common orange/red coloration. Groves of aspens can essentially be a single genetic specimen interconnected via their root systems and each grove can essentially be a single organism.
Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.