The late-day light on autumn aspens is a fleeting thing, especially here along the east slope of the Sierra Nevada where peaks tower to the west. Over the years I have become familiar with the rhythms of this particular spot. I know that the best light happens during the half hour (or less) before the sun drops behind those peaks. So I arrive a bit early, pack a long lens, and prepare for a half hour or so of intense photography.
Continue reading Aspens and Distant Mountains
This was a slow, quiet Sierra morning. I had set up camp at Tuolumne Meadows the night before, and this was my first early outing of the trip. I headed up Tioga Road before sunrise and decided to cross the pass and visit some favorite areas on the east side of the crest. I started by going up high where I could photograph sunrise light on the highest peaks. After finishing that — and poking around a few interesting nearby spots — I decided to head back down the way I had come.
Continue reading Trees and Peak
There’s a story and a lesson associated with this photograph. Explaining may take a bit more than the usual two paragraphs. (It takes five. I urge/invite you to click through and read the whole thing — and I’ll be interested in your comments.) I’ll start with the subject though. Years ago (I’ll reveal how many years below) I was on a trans-Sierra pack trip of over a week’s length with a group of backcountry friends. I had walked this route years before this trip, and there were a few places that I specifically wanted to photograph again, especially this lake. I stopped there long enough to make a few careful photographs, including one of my favorites. (That one also comes with a bit of a story and lesson.)
Continue reading Alpine Lake, Mirrored Reflection
I made this photograph very close to the end of a lengthy photography trip to Southern Utah. After shooting on my own for days and then working collaboratively with friends and fellow photographers, I left the others behind and joined my family for a few days in Zion National Park.
We stayed outside of the park boundary, a short distance up a side road that leads way back into the park’s less-known high country. We decided to follow that road and see where it would take us. Eventually it arrived at a sort of plateau — high country ringed by red rock formations and cut through by deep valleys. I made this photograph close to sunset along that road.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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