“Precipice and Valley Below Applecross Pass” — A stream meanders beneath a towering cliff at Applecross Pass.
This day was a bit of a venture into the unknown. Since we had two nights in Ullapool, we decided to drive a big loop out to Applecross, a place that is fairly isolated, even by Scotland standards. It is on the far west cost, looking out over the waters toward Skye and other islands. When we arrived we took a quick drive through the village and then headed up the hill toward Applecross Pass to begin our return to Ullapool.
“Kosovo Mountains” — Mountains haze in Kosovo— the “Accursed Mountains.”
This photograph comes from a wonderful day in the “Accursed Mountains” of Kosovo west of Pec. It is full of great memories, though short on specific location details. We headed into the mountains from Pec, following a narrow and rugged river valley. Eventually we passed through a mountain town and continued to ascend. We took a narrow side road and eventually got out and walked… right to the Montenegro border. From there we somehow ended up at a remarkable “lodge” where we had a stupendous lunch on a grand outdoor covered deck.
I made the photograph at the lodge, looking back up towards the summit of these beautiful mountains and directly in to the haze- and sun-filled atmosphere. Side note: I read that there is some difference of opinion regarding how these beautiful mountains came to be known as the “Accursed Mountains.” From what I saw and from some subsequent reading, it would not surprise me if this area becomes a mecca for outdoor enthusiasts.
“Big Sur Haze” — Summer haze along rugged Big Sur coastline, California.
I drove down the Big Sur Coast on this mid-August morning, traveling as far as the point where the road is currently closed for landslide repair. A bit north of that I pulled out at a popular overlook where I have photographed before — there is a great view down the coast and past a series of big ridges descending to the water. I almost didn’t photograph, but as I looked at the scene I became interested in smaller sections of the larger view.
Typically when I have photographed here I have worked in vertical portrait mode so that I could include the more distant curve of the coast and an interesting “natural bridge” on some rocks to the right. I’ve often trued to exclude the foreground trees, but this time I thought that they might make a good foil to the haze-muted forms and textures of the more distant coastline at the upper right.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Autumn storm clouds hover around a granite precipice
It was a late in the afternoon — almost evening, actually — when I made this photograph near the end of October. I had been in the Yosemite area for a few days, photographing fall color and the moody conditions of an early season rain storm, and late in the day as the storm cleared out the remnant clouds hugged the granite cliffs of the Valley.
Conditions like these are highly variable and continuously change from moment to moment. This is not the sort of landscape that you photograph by carefully composing a subject and then making a single exposure! The clouds are in motion, and with the intense backlight from the west the visibility of elements of the landscape changes continuously. Here the light in the clouds was so bright that the exposure rendered the shaded cliff face in very dark tones.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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