While Scotland’s Isle of Skye is, for good reason, a very popular place to visit, you can also find great views of the Isle and its mountains from along Scotland’s less-populated western coast. After our visit to Skye we headed north to Ullapool, and from there drove a long loop out to the village of Applecross. Before turning south toward that spot the route hugged the coastline, offering continuous views across the water to islands including Skye.
Continue reading Looking Toward Skye
This day was a bit of a venture into the unknown. Since we had two nights in Ullapool, we decided to drive a big loop out to Applecross, a place that is fairly isolated, even by Scotland standards. It is on the far west cost, looking out over the waters toward Skye and other islands. When we arrived we took a quick drive through the village and then headed up the hill toward Applecross Pass to begin our return to Ullapool.
Continue reading Precipice and Valley Below Applecross Pass
This is not exactly my typical Death Valley National Park photograph, but for better or for worse, low fly-overs (and high altitude maneuvers) by military aircraft are part of the experience there. The park is virtually surrounded by military reserves and bases, and the atomic test site is not far to the east — in other words, there’s a heavy military presence in the area. My understanding is that part of the agreement that led to the establishment of the national park was a concession to allow overflights of the park.
Continue reading F-35
Forgive me for sharing yet another photograph featuring fields of desert gold flowers, but they appeared in impressive numbers in Death Valley in late February. This is usually a dry and generally beige landscape (with some exceptions) but these flowers turned gravel fans and some hills yellow all over the valley.
The foreground flowers are obvious, but if you look carefully you’ll see more fields of the flowers further up the gentle slope leading to the base of the Black Mountains. The more distant color — yellow mixed with green — may seem subtle, but to those of us used to more typical Death Valley conditions it is striking.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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