While Scotland’s Isle of Skye is, for good reason, a very popular place to visit, you can also find great views of the Isle and its mountains from along Scotland’s less-populated western coast. After our visit to Skye we headed north to Ullapool, and from there drove a long loop out to the village of Applecross. Before turning south toward that spot the route hugged the coastline, offering continuous views across the water to islands including Skye.
Continue reading Looking Toward Skye
As far as I know (and I cannot claim to be an expert on Kosovo after visiting for a few days) this is not a particular iconic location — it was just a place where we pulled over while driving into the Accursed Mountains (yes, that is their name) west of the town of Pec. Looking up into the mountains on either side of the river valley we followed, I was impressed by the thick vegetation, the steep slopes, and the atmosphere’s luminous haze.
For me it is an odd experience to quickly pass through a new landscape, particularly one where I’m unfamiliar with the features, the culture, and the language… and to then quickly move on, perhaps with no opportunity to return in the future. I’m more used to getting to know such places through return visits that expand my knowledge. But what I came away with here are fragments of memory — a walk to the end of a gravel road, lunch at a mountain lodge, stopping to photograph a country mosque next to a mountain river, and pausing to look up at theses slopes.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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This photograph came late on a day when we traveled far into mountains to the west of Peja, Kosovo. I have vivid memories of the day, of what I saw, of what we did – but it is now extremely difficult to identify specific locations and features. I know that we traveled west into a narrow river gorge, and eventually climbed out of it, that we ended up on a tiny road that dead-ended at the Montenegro border… which my Kosovo host warned me not to approach. After other adventures we returned down that same narrow canyon.
As we descended, the scenery was often spectacular. Here the river descended steeply over rocks between steep, tree-covered canyon walls. We paused briefly, and I hopped out of the car to stand at the edge of this lush canyon and make a few photographs… of a river whose name I do not know.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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On occasion I have been asked about my favorite places in the Sierra Nevada, the range I have wandered for decades. I do have specific favorite locations, but I often answer more generally: it is the country right at the tree line, where the terrain opens up, the highest peaks are visible, there is (usually) water everywhere, and where one can freely wander without trails, constrained only by technical skills, terrain, endurance, and imagination. To me, this IS the embodiment of the “range of light.”
The place in the photograph is a fine example of what I refer to. We were camped at a lower elevation among trees and near a lake. But we could see all the way up this long, open valley with small trees, scattered meadows, and a lovely creek. I walked up it several times during our stay. As I ascended the trees began to thin and the meadows, soggy in places, took over. I made the photograph in the region of the last trees, and then I kept going toward the base of the talus slopes in the distant shadows.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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