We arrived at Salt Creek before sunrise, planning to walk down to the end of the boardwalk and photograph some further areas at dawn. It used to be that you could continue on from there and investigate other interesting terrain, but there is now no obvious way off the boardwalk, likely because the park service is trying to protect those areas. So we photographed from the boardwalk as the sun came up.
Continue reading Boardwalk, Morning
This is, in several ways, kind of an odd Death Valley photograph. The fine-grained gravel covering the slopes and hills here are not widespread in the park — in most places the ground tends to be lighter in color. On the other hand, the curving shapes and runoff erosion channels are seen elsewhere, as are the plants. (If you look very closely, you will see not only the larger green plants but lots of small wildflower shoots just emerging.)
Continue reading Eroded HIlls
Death Valley National Park is a huge landscape, in more ways that one. The park is huge. It is the largest park in the contiguous states. (Alaska, where everything is on a larger scale, has four larger parks.) Within the park we often are able to view huge distances — in fact, Death Valley’s visual scale reminds me of places I’ve seen in Alaska. Here we look down Rainbow Canyon and across the entire Panamint Valley (one valley west of Death Valley itself) toward more desert mountains.
Continue reading Panamint Valley
Photographing in the area around Salt Creek in Death Valley has long been a challenge. The place is intriguing, with its surprising creek flowing on the valley floor and its population of endangered pupfish. But visually it has generally not spoken to me. The light can also be challenging, especially with a large mountain range blocking late-day light. But I think there are possibilities in the area and I continue to visit from time to time.
Continue reading From Valley to Mountains