The late-day light on autumn aspens is a fleeting thing, especially here along the east slope of the Sierra Nevada where peaks tower to the west. Over the years I have become familiar with the rhythms of this particular spot. I know that the best light happens during the half hour (or less) before the sun drops behind those peaks. So I arrive a bit early, pack a long lens, and prepare for a half hour or so of intense photography.
Continue reading Aspens and Distant Mountains
Late in the afternoon I was photographing autumn aspen trees in a deep valley along the eastern escarpment of the Sierra Nevada. Not long after I arrived there developing clouds began to block the light that best shows the intense colors of the trees. I continued working and found ways to photograph effectively in the soft light, but I was a bit disappointed by the cloud cover. And then it occurred to me that the cloud line would end as they dissipated out over Mono Lake.
Continue reading Evening Clouds, Mono Lake
With this post, I am doing something unusual for me — I’m sharing monochrome and color versions of the same photograph. By that I mean literally the same file, though interpreted differently. (The monochrome version was posted here recently.) Usually I settle on either color or monochrome, but in this case I feel like both have something (different) to offer.
Continue reading Lake, Tufa, and Morning Clouds
I arrived here well before sunrise, thinking that clouds overhead and clear sky on the eastern horizon might produce a colorful sunrise. It did! So I made monochrome photographs! OK, I do have some color photographs of the early morning color, too, but I really did come back with as many monochrome photographs as color photos. Maybe MONO Lake calls for MONOchrome images?
Continue reading Lake, Towers, Distant Mountains