For some reason I can’t quite define, doors seem to be a popular photographic subject. Perhaps it is curiosity about what lies behind them — both the prospect of something being hidden and the notion of leaving one space and entering another. I often photograph them without quite knowing why, only intuiting that they appeal to me. Here I liked the contrast between the cold and angular nature of the stone structure and the the organic forms painted on the doorway.
I photographed this in an area of downtown Aberdeen, Scotland where we found a lot of street art, graffiti, and similar work. Some was purely visual but a lot of it also incorporated text. One other observation: at least where we looked the areas where we found the street are were mostly otherwise rather neat, which is far from typical.
COMMENT OR QUESTION? Scroll down to the comment form.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.