“Cubist Wall” — A wall of rectangles and colors, Cork, Ireland.
When we travel we like to combine the new with the familiar. That was true on our recent trip — the Scotland portion was an extension of the familiar, and Ireland was new to us. That’s right, this was our first visit to the Republic of Ireland. We know there is much, much more to Ireland than we could see in a week, but on this trip we focused on three cities: Dublin, Galway, and Cork. This photograph comes from Cork.
“Largo do Peneireiro” — Colorful streamers above narrow streets in the Alfama District, Lisbon.
This is a little street scene in Lisbon’s Alfama neighborhood. The area rises from the river’s edge toward the hill of the St. George Castle. This was the original center of Lisbon before it expanded, and it later was the home of less wealthy citizens of the city. Its age (it escaped destruction in the 18th-century earthquake that destroyed much of Lisbon ) means that the area retains the original narrow and twisting streets.
“Lisbon Graffiti #2” — Brilliantly colorful graffiti on a door in the Alfama district of Lisbon, Portugal.
I am often a bit uneasy about photographing street art, tags, and graffiti. In some cases it feels more like attention-getting vandalism than creative work. But there are exceptions in places where it seems to be mostly tolerated, and when the work seems like an interesting expression.
“Stairway, Santo Amaro Chapel” — A stairway leads to a door at the Santo Amaro Chapel, Lisbon
Thisq is another photograph from Lisbon’s Santo Amaro Chapel, a very old structure near the waterfront and almost beneath the April 25 Bridge (“Ponte 25 de Abril“). That is the one that looks very similar to San Francisco’s Golden Gate Bridge. After passing beneath the bridge’s north end, we walked a little further west, then climbed steps to this location. It is one of the better viewpoints of the bridge, with a wide plaza open to that view.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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