It may seem odd that someone cast as a “landscape photograph” is also intrigued by rough-edged urban scenes. To some these subjects may seem as radically different from natural landscapes as can be imagined, but I see connections. In fact, I like to think of photographs like this one from Aberdeen, Scotland as “urban landscapes.”
Continue reading Poetry 86
I have seen Dublin’s Temple Bar district described in various ways: historic, touristy, not a place to go at night, nightlife hub. From what I could gather on our brief visit this past May, any or all of those might be correct, though I saw no real evidence of it being dangerous. Mostly it felt like one of those typical big city tourist areas, center in an older district with “character,” and gradually being invaded by chain restaurants and shops. But there are still some fun rough edges.
Continue reading FRESH
There’s perhaps more going on in this photograph than meets the eye. Some elements didn’t fully register when I made the exposure, and in all likelihood there are more that I don’t yet understand. The photograph is from the Kosovo town of Peja, and “Birra Peja” is reportedly made from the water of the White Drin River, an important element of the Kosovo landscape with its source in the mountains just outside town.
The first thing that I noticed was the stenciled blue text on the white wall, along with the (hard to see) red stencil of a person whom I presume to be a Kosovo political figure of some sort. (The English text says “WHO ARE WE?!”) But the red signs, near and far, were also obviously part of the attraction of the scene, as were the particular products: the beer, a drink called “GO+,” and the smaller “Prima Pizza” sign. I’ll leave readers and viewers to ponder what else might be there.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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I don’t know how many of you (who view these posts at my website) pay attention to the “categories” listings. They group the posts by their subject and focus, and the photographic posts always include the categories appropriate to their subjects — they might be “nature,” or “New York City,” or “Fall,” and so on. This photograph fits into a rather broad set of them, including those listed in the previous sentence and more. Yes, it is a fall nature photograph from New York City!
There’s little to suggest this location (unless you look very closely) but I made this photograph while walking along the High Line Park on the west side of Manhattan. When I’m in NYC I typically photograph obviously urban subjects — people, buildings, streets, and so forth. But in one section of this urban trail there were big piles of lovely autumn leaves, fallen from trees planted along the elevated walkway.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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