“Spanish Caravan, Liverpool” — A beer ad on a wall in the Liverpool Ropewalks district.
This scene was on a corner near the place we stayed in the Ropewalks district of Liverpool this spring. We had gone out for a long walk and run into a bit of rain, perhaps obvious from the wet street and sidewalk. I think that the large figure on the wall is meant to look like a guy who is happy with his beer. But I think there is also something just a bit ominous about that unnatural grin on a figure towering above the street and peeking out between buildings.
“FRESH” — A person walks past a Dublin wall with painted flames and a “FRESH” sign in the Temple Bar district.
I have seen Dublin’s Temple Bar district described in various ways: historic, touristy, not a place to go at night, nightlife hub. From what I could gather on our brief visit this past May, any or all of those might be correct, though I saw no real evidence of it being dangerous. Mostly it felt like one of those typical big city tourist areas, center in an older district with “character,” and gradually being invaded by chain restaurants and shops. But there are still some fun rough edges.
“Largo do Peneireiro” — Colorful streamers above narrow streets in the Alfama District, Lisbon.
This is a little street scene in Lisbon’s Alfama neighborhood. The area rises from the river’s edge toward the hill of the St. George Castle. This was the original center of Lisbon before it expanded, and it later was the home of less wealthy citizens of the city. Its age (it escaped destruction in the 18th-century earthquake that destroyed much of Lisbon ) means that the area retains the original narrow and twisting streets.
“Woman With Blue Bags, Alfama” — A woman carrying heavy blue bags walks along past weathered buildings along a curving Alfama street, Lisbon.
This photograph is a result of one of the quick, unexpected encounters that occur when doing street photography. Sometimes they happen so fast that there is hardly time to photograph. This one was brief, but not so quick that I couldn’t make a couple of photographs.
