“Spanish Caravan, Liverpool” — A beer ad on a wall in the Liverpool Ropewalks district.
This scene was on a corner near the place we stayed in the Ropewalks district of Liverpool this spring. We had gone out for a long walk and run into a bit of rain, perhaps obvious from the wet street and sidewalk. I think that the large figure on the wall is meant to look like a guy who is happy with his beer. But I think there is also something just a bit ominous about that unnatural grin on a figure towering above the street and peeking out between buildings.
A window at Hapa’s Brewery in San Jose, California
Today’s photograph is the result of something other than endeavoring to go out and make photographs, but it might also be evidence that some kind of photograph can be made almost anywhere at almost any time. We heard there was an event hosted by Fujifilm at a relatively new brewery not too far from where we live. We have been meaning to visit this place for months without ever quite managing to go, but the prospect of getting to play with a range of Fujifilm camera equipment and try out a new brewery was enough to get us to go.
The premise of the event was loaning various Fujifilm cameras and lenses to interested folks for fifteen minutes at a time. I already really on a Fujifilm system for my street and travel photography, but I thought it would be fun to play with their tiny rangefinder X100F, a small fixed-lens camera in the street photography tradition. I didn’t have a lot of exotic subjects to work with — basically a brewery full (mostly) of people trying out cameras! This photograph had two goals. The mundane one was testing the bokeh of the fixed lens on this small camera. The aesthetic angle was placing the window frame in such a way that it divided the background into four independent images rectangles that are quite different from one another.
A steep street in downtown San Francisco with a sign for “Osgood Place.”
I came across this photograph from last summer while going over old raw files again this week. To be honest, I barely remember shooting this scene, and the only hints about the precise location are the “Osgood Place” sign (referring to one of the buildings) and the base of the Transamerica Pyramid beyond the end of the street.
When I saw it this week, something caught my attention about it. I like the vantage point that roughly as high as the third story of buildings near the bottom of the street – this does some slightly odd things to perspective lines. I also like the various types of red to brick-red coloration and the row of steel posts along the narrow sidewalk. The subtle green beer bottle against the first post at the right is a touch I like, too. ;-) It is surprising that I managed to take a photograph of this area of San Francisco that includes no people.
(Update: Thanks to some folks who saw this photograph elsewhere, I have learned that the street is also called Osgood Place.)
Night photograph of a person sitting behind a blue sign along 7th Avenue near Madison Square Garden on a summer evening in downtown New York.
On our last night in Manhattan we needed pizza – we bracketed our visit with New York pizza on the first and last night. (We had lots of great food in between, but that is perhaps a story for another post.) So we headed out of our hotel and up 7th Avenue near twilight. My son – who shoots old film cameras these days – and I grabbed our cameras to see what we could shoot. Keeping things simple, I just stuck a 50mm lens on my camera, cranked the ISO, and shot quickly as we moved through the crowds. Nearby there was a building with a “sign” that moved blue text up and down the front of a building and across part of the sidewalk. Sitting behind a section of the garish sign I saw this man sitting quietly.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
