This photograph comes from a visit to Southern Utah with a couple of photographer friends some years ago. We took a week to make a loop through the southern part of the state that took in Cottonwood Canyon, the Escalante area, and a few days in the Capitol Reef neighborhood. That latter location is where I made this photograph of a juniper tree in front of a massive sandstone cliff face.
Continue reading Tree, Sandstone Cliff
This photograph has been in the queue for months as I worked on other subjects, and before that it languished in my raw file archive for a couple of years. I rediscovered it during a review of past season’s fall color photographs last year. There is a bit of fall color in the leaves of these trees, but it may be subtle.
After photographing in Yosemite Valley for decades, I am less inclined to re-photograph the big icons. I’ll do so in exceptional conditions, but I’m more interested in poking around odd corners of the valley and looking for new perspectives. This location is a bit tricky — several years ago it was identified as being an area prone to rockfall — but I’m attracted to several features of this view. The foreground trees don’t quite block the view, and beyond them a large meadow allows plentiful light. Across the valley are steep cliffs, in including some with cascades and small waterfalls.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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this photograph comes from a trip to Utah and Zion National Park over a dozen years ago. It is also another of my “lost and found” photographs — from a file that has languished in my raw file archives since that time. I think I may have left it behind after working up a different photograph of the same cliff.
This is a classic Utah red rock canyon scene, with bright green trees (just barely starting to take on autumn colors) at the base of red rock cliffs. I love how the red and green stand out against one another. As I’ve said before, this Sierra Nevada guy, after a visit to Utah, always feels like the gray rock of his “home range” looks a bit… bland.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
The idea here was to get “up close and personal” with a small section of a monumental sandstone tower standing in the early morning sunlight. To make the photograph I turned away from the conventional scenic landscape I had been focusing on, using a long lens to focus on an area where features projecting from the wall were casting shadows back onto it.
Southwest sandstone is often impressive simply because of its color variation. I’ve commented before on how “my” California granite inevitably looks very… gray after I return from a visit to Utah. But in some places, such as here at Arches National Park, it isn’t just that the sandstone’s coloration is attractive, it is also that the strata of red rock are so thick and extensive.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.