The photograph comes from a trip some years back that took me to Capitol Reef National Park. Although it was challenging to find the right composition, I wanted to get a photograph of this bend in an anonymous red rock canyon where trees were tucked into the edge of hollowed out rock. The feature is fascinating, but it is more or less unmarked, like so many similar features in this landscape.
Continue reading A Red Rock Canyon
This will be one of (but perhaps not quite the) last photographs I’ll share for now from my July backpack trip. A group of us went into the Eastern Sierra Nevada just outside of the northeast boundary of Yosemite National Park. sWe did a low-mileage four-day trip, which left me with plenty of morning and evening time for photography. But even with two mornings and two evenings in this particular spot I didn’t have all of the time that I could have used.
I have visited this area many times over the years, so I had some ideas about what I might photograph. This raised shoreline area, located between the lake and large meadow below it, was on my short list. I got distracted by other subjects on the first morning and missed the brief moment of ideal light when the shoreline is highlighted and the background remains in shadow. I wasn’t going to make that mistake again on the second morning, so I was there and ready when the light arrived.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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There is a wonderful morning moment in the mountains when the sun finally rises above surrounding high ridges and the first direct light strikes trees and meadows and rocks. Not only is the warmth appreciated, but when the light strikes trees from behind it sets them off against the still-shaded mountain slopes.
Of course, you do have to get up early to see this. And I can attest to how difficult it can be to struggle out of a warm sleeping bag in the dark, dress in the cold, and leave that comfortable tent. But I guarantee that the results are almost always worth the effort.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
Reflections in the waters of high country lakes always provide interesting photographic subjects. This lake, located just outside the northeast boundary of Yosemite National Park, produces some of the largest and most abstract shapes that I know of. The combination of open terrain and huge talus slopes are the keys.
I photographed here in the early morning, while my non-photographer backpacking partners were still snug and warm in their sleeping bags. The light had worked its say down the distant slope and across most of the lake — you can see the edge of the shadow on the rocks at center right.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.