“Shoreline Trees, Clearing Fog” — Fog clears above a grove of coastal trees at Point Lobos.
the best light usually comes early and late in the day. It often has a warmer coloration, and it can be softer than the midday light coming from high overhead. And there’s a good chance that morning fog and mists may linger. But eventually, on most days, the “good light” period passes and the morning’s work is done. It was that time as I began to make my way back to the trailhead, feeling that the morning’s best light was leaving. But then I saw this row of dense trees along the rocky edge above the water, with a hint of clearing fog in the background.
“Oak Among The Conifers” — A solitary autumn black oak tree at the edge of a grove of conifers.
Every so often I think about how photographers captured images of fall “color” in the era of black and white photography, and I have to try my hand at it once again. Obviously the usual approach — finding some brilliant color and then emphasizing it in the photograph — won’t work here. Instead, contrast with darker surroundings could be one way to evoke the brilliance of autumn foliage.
Although this small black oak appears alone in the photograph, it has other oak neighbors nearby. What sets it apart apart is that it grows against a backdrop of a very dark and thick conifer forest. I’ve watched this tree for years, and the contrast can be quite compelling in the fall.
“Shoreline and Trees, Morning” — Warm morning backlight on trees along the shore of a subalpine Sierra Nevada lake.
This will be one of (but perhaps not quite the) last photographs I’ll share for now from my July backpack trip. A group of us went into the Eastern Sierra Nevada just outside of the northeast boundary of Yosemite National Park. sWe did a low-mileage four-day trip, which left me with plenty of morning and evening time for photography. But even with two mornings and two evenings in this particular spot I didn’t have all of the time that I could have used.
I have visited this area many times over the years, so I had some ideas about what I might photograph. This raised shoreline area, located between the lake and large meadow below it, was on my short list. I got distracted by other subjects on the first morning and missed the brief moment of ideal light when the shoreline is highlighted and the background remains in shadow. I wasn’t going to make that mistake again on the second morning, so I was there and ready when the light arrived.
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“Forest and Dome, Sunset” — Evening light on lodgepole pines and a Yosemite high country dome.
This may (or may not!) be my final post of a summer 2025 photograph from the Yosemite high country. (As long time readers know, sometimes I do dig back into the archives and work up “left behind” photographs.) It is a modest little photograph, but it seems appropriate to conclude the coverage of the high country year with sunset light on forest and granite.
I made the photograph on an early July walk through parts of Tuolumne Meadows. I was up there, in part, to adapt to the elevation before an upcoming pack trip — but also, obviously and predictably — to do some photography. I was out wandering the meadows as the day came to an end, and I made the photograph as the last direct sunlight, soft and warm, illuminated the forest at the east end of the meadow and the line between light and shadow began to ascend the dome.
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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