“At The Edge” — A jumble of Monterey cypress trees at the edge of a Point Lobos cliff.
This is the final photograph in a series of images I made on a morning visit to Point Lobos near the end of September. As I approached the park I drove in thick fog, and I was already contemplating potential subjects to photograph in hose conditions. But in the final mile of my drive the fog began to lift, and sunlight shone through the gaps in the dissipating fog. I reevaluated, picked an area with other visual interests, and thought about how I might use the remaining fog-softened light with these subjects.
“Monterey Cypress Forest, Leaning Trees” — Monterey Cypress trees at the edge of a Point Lobos cliff on a foggy morning.
These trees grow along one of the most exposed coastal locations at Point Lobos State Reserve. Not far behind my camera position s the rugged end of a peninsula that juts out into the Pacific, exposed to waves and wind. In the other direction, beyond these trees, is a cliff that drops to a rocky, narrow bay that where surf constantly washes in and out.
“Oak Among The Conifers” — A solitary autumn black oak tree at the edge of a grove of conifers.
Every so often I think about how photographers captured images of fall “color” in the era of black and white photography, and I have to try my hand at it once again. Obviously the usual approach — finding some brilliant color and then emphasizing it in the photograph — won’t work here. Instead, contrast with darker surroundings could be one way to evoke the brilliance of autumn foliage.
Although this small black oak appears alone in the photograph, it has other oak neighbors nearby. What sets it apart apart is that it grows against a backdrop of a very dark and thick conifer forest. I’ve watched this tree for years, and the contrast can be quite compelling in the fall.
“The Shadow’s Edge” — The shadow from Yosemite Valley cliffs moves across autumn oak trees.
I photograph in this meadow during nearly every visit to Yosemite Valley. The big oak trees are the stars for the most part — though it is hard to ignore the impressive mass of El Capitan rising behind you. The autumn foliage on these trees turns golden-brown before falling, and it can glow luminously when backlit.
The light is key to photographing here. Because this part of the valley is narrow and because tall cliffs rise on either side, the amount of direct sunlight is limited. Shadows traverse this meadow in the morning and the afternoon, and there’s interesting lighting along the margins of the shadows. Here you can see the line of shadow along the right side of the frame. Moments after I made the photograph the shadows fully enveloped these trees.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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