Is it ever too early to start thinking about autumn? I don’t think so! Every fall I revisit familiar places to photograph the signs of the changing seasons. One of these is Yosemite Valley, where the most interesting colors often peak right around Halloween. At a minimum I make a long day trip up and back from the San Francisco Bay Area. But my preference is to visit for at least a coupe of days.
Continue reading Autumn Black Oak Leaves
I have photographed in Yosemite since I was literally a child. (The first “serious ” photograph I recall making was on a family trip to the Valley when I scrambled up a little hill to find a composition of a dome framed by tree branches.) The Valley remains one of the most astonishing sights on the planet, with features that are darned near unbelievable. But after decades of photographing there, when I visit now I look for other things than the icons.
Admittedly these black oaks have become almost iconic, though they aren’t a recognizable feature in the way that Half Dome or Yosemite Falls are. There’s no one particular feature, but rather a playground of textures and colors and lines to work with. I stop and photograph here on almost every visit.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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Every so often I think about how photographers captured images of fall “color” in the era of black and white photography, and I have to try my hand at it once again. Obviously the usual approach — finding some brilliant color and then emphasizing it in the photograph — won’t work here. Instead, contrast with darker surroundings could be one way to evoke the brilliance of autumn foliage.
Although this small black oak appears alone in the photograph, it has other oak neighbors nearby. What sets it apart apart is that it grows against a backdrop of a very dark and thick conifer forest. I’ve watched this tree for years, and the contrast can be quite compelling in the fall.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
This is an unusual post — a “make up” post to restore a lost photograph to the archives. It is an old photograph from 2006 that probably once appeared on this website but seems to have disappeared. I regularly share older “From the Archive” images on social media, and as I prepared this photo for sharing I was unable to find an original post here. Consequently, I worked up this slightly revised version and am sharing it here today.
The photograph comes from a San Francisco Bay Area park where I have hiked and photographed for decades. I visit at all times of the year and in all imaginable conditions. This one comes from a morning hike in the winter, when the low angle sun cast strong shadows across the landscape beneath the skeletal forms of winter trees.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.