I am not the plant or macro photographer in the family. That would be Patricia Emerson Mitchell, my wife, whose camera is most often fitted with a macro lens. But I tag along, and I enjoy the challenge and the change that comes with photographing small things. While we were in Bath, England last June we visited a botanical garden, and I made this photograph while wandering among the plants.
Continue reading Spring Leaves
We spent a couple of days in the quaint English town (center) of Shrewsbury this past June. After close to three weeks of exploring Scotland and Ireland followed by a weeklong walk in the Cotswolds, we had several weeks left to visit various English towns and cities. Shrewsbury sounded like a slightly lower key stop compared to our previous stay in Bath.
Continue reading River Severn, Shrewsbury
For some reason I can’t quite define, doors seem to be a popular photographic subject. Perhaps it is curiosity about what lies behind them — both the prospect of something being hidden and the notion of leaving one space and entering another. I often photograph them without quite knowing why, only intuiting that they appeal to me. Here I liked the contrast between the cold and angular nature of the stone structure and the the organic forms painted on the doorway.
Continue reading A Doorway
You would probably never guess by looking at this photograph, but it was made in a location where there were a lot of other people nearby. It looks like a lonely, fog-filled forest scene, but I made the photograph while walking along a paved path to the entrance of the Pena Palace. The Palace is a remarkable structure that sits on top of a ridge above the town of Sintra, Portugal, not far from Lisbon.
Continue reading Fog and Forest, Pena Palace