Tag Archives: reflection

River Severn, Shrewsbury

River Severn, Shrewsbury
“River Severn, Shrewsbury” — Willows line the River Severn, Shrewsbury, England

We spent a couple of days in the quaint English town (center) of Shrewsbury this past June. After close to three weeks of exploring Scotland and Ireland followed by a weeklong walk in the Cotswolds, we had several weeks left to visit various English towns and cities. Shrewsbury sounded like a slightly lower key stop compared to our previous stay in Bath.

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Sierra Creek, Autumn Colors

Sierra Creek, Autumn Colors
“Sierra Creek, Autumn Colors” — Autumn colors line an Eastern Sierra Nevada creek.

I have photographed fall color in the canyons of this Eastern Sierra drainage for several decades. It is safe to say that I know the area pretty well at this point. Yet I still find new views that I had missed before — some, like this one, are in such obvious places that it is almost embarrassing that I did not see them! I have literally pulled over here and parked scores of times, but always to look for something other than this view.

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Lake, Forest, and Ridges

Lake, Forest, and Ridges
“Lake, Forest, and Ridges” — Ellery Lake and surrounding peaks, Sierra Nevada.

I previously shared another photograph made from this same vantage point. That photograph is more tightly cropped and does not include sky. By using a somewhat shorter focal length I was able to include a bit more of the forest at lower left and the rising ridge at the right, though these choices required me to include the sky in the frame.

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Tufa, Sky, and Water

Tufa, Sky, and Water
“Tufa, Sky, and Water” — An island of tufa formations under early morning sky, Mono Lake.

I think of this photograph, in part, as a study in tones. I had been photographing a brilliant sunrise in color, but as the first wild sunrise colors diminished I began to think about monochrome. (Of course, my camera being digital, I was capturing color images, though monochrome results were in my mind.) The brightest areas of the clouds were extremely bright, while the facing side of the tufa formations, being backlit, were very close to black. My plan was to control the bright areas in the exposure and then lift the shadows in post, just enough to hint at details on the tufa.

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