“Stream and Sandstone Cliff” — Sandstone cliffs at the bend in the canyon of a remote Utah river.
This is a photograph from over a decade ago. (More on how it ended up here today below.) A small group of us spent time photographing in Utah, often in remote places. One day we dropped into a canyon and followed this stream. As so often happens in these narrow, winding canyons, “one good turn led to another,” and we kept going as each bend revealed another interesting section. We finally stopped very close to this scene, made some final photographs, and headed back upstream.
If this photograph looks familiar, that may be because it is the landscape orientation presentation of a scene I shared a few weeks ago. The Escalante River and the remarkable national monument (which we hope is soon restored to its original boundaries) through which it flows are beautiful. This beauty takes many forms — the quiet of a river bend deep in the canyon, the dry and almost. barren uplands from which the canyon is invisible, and a few grand and open scenes like this one.
Much of the canyon is difficult to access, and walking to and through it is ideal. But on this day we were driving between Escalante and Boulder, and when we crossed the river here clouds were breaking up the sun and alternating bands of light and shadow were moving across the early autumn landscape.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
A beam of sunlight on trees and red rock in the canyon of the Escalante River.
On this trip eastward across Southern Utah we came across this lovely section of the Escalante River at just about the perfect moment. We had just made our obligatory stop at the Kiva Koffeehouse — perhaps the most improbably-located such place I’ve ever visited — and were back on the road, making the short descent to the crossing of this river before the road rises to along Calf Creek to pass along Hell’s Backbone. It was October, and the trees along the valley were just turning autumn colors, and clouds were sending beams of light across the landscape.
I’ve visited and photographed along the Escalante several times, generally walking down into the canyon and wandering slowly, my preferred mode. Yet driving though this section always seems magical, too, and every time I cross the river here I think of those other places I’ve visited along its route. Heck, I’m thinking of them again as I write this!
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Late-night passers-by at the Gelato King stand, corner of Mulberry and Grand, NYC
Another gelato stand! It seems that this is becoming a theme here. Of course, given that we were staying in a hotel located essentially on the border between Manhattan’s Chinatown and Little Italy districts, these kinds of places were everywhere: Italian deli on the corner, Italian pastry across the street, gelato and cannoli never more than a few footsteps away. (The fact that we were staying in this particular area was more a function of a good price on a hotel than of a desire to be in the middle to the tourist attractions of Little Italy.)
This photograph, if nothing else, illustrates a few things that I look for when photographing urban areas at night, at least when working with subjects like this one. It has a central focus point, and one that seems to provide most of the interesting light in the scene — namely the little gelato stand, with its light (and that of the cannoli stand just around the corner) spilling out onto the sidewalk and providing much of the illumination in the scene. (Additional ambient illumination from other businesses provides a bit of light on the figures.) I made a series of photographs here in rapid succession as people walked through the scene. In some there is no one but the fellow in the stand, in others a group is queued up to buy gelato. In this one the people are almost uniformly spread across the scene, with various orientations to the central light. On both sides women in lighter colors walk toward it; red and yellow tones show up in the attire of several of the subjects.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
