Tag Archives: beam

Break in the Overcast

Break in the Overcast
Late afternoon sunlight breaks through overcast to illuminate eastern Sierra aspen groves.

Break in the Overcast. © Copyright 2023 G Dan Mitchell.

Late afternoon sunlight breaks through overcast to illuminate eastern Sierra aspen groves.

On this year’s early October visit to the Eastern Sierra I was surprised to find more color than expected here and at other familiar locations. The high elevation color is typically past its peak by this date, mid-elevation color is getting good, and lower trees are still mostly green. But this year felt different — it seemed like the higher trees sustained their colors while the lower trees were ahead of schedule, with the result that the color spanned a wide range of elevations.

Heading south after crossing Monitor Pass I passed by this familiar vista. I was surprised by the amount of color and the good condition of the trees, so I made a point of scheduling a return visit in the evening when the trees are usually backlit right before the sun drops behind the crest. However, clouds had entered the picture and the light was dull… until a few beautiful beams of light broke through the overcast shortly before sunset.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Last Beam of Light

Last Beam of Light
A final beam of sunset light falls across groves of Eastern Sierra aspen groves on an autumn evening.

Last Beam of Light. © Copyright 2023 G Dan Mitchell.

A final beam of sunset light falls across groves of Eastern Sierra aspen groves on an autumn evening.

This is one of those locations that I feel like I should have been done with years ago. It is a somewhat iconic spot with easy access, and I have photographed it many times. But this year’s color transition seemed to follow a different trajectory than I have seen before — perhaps due to the preceding wetter-than-normal year or possibly related to relatively quiet autumn weather. In any case, it seemed like high elevation color came a bit later and overlapped the lower elevation transition more than usual. As a consequence, the color here was unusually interesting during the third week of October, so I reserved an evening to go there and photograph once again.

My plan was pretty simple. I would first visit a nearby area where I expected to find lots of bare trees, and after finishing there I would get myself in position for this location well before the best light arrived. The plan worked, and I photographed these and other nearby groves in the low angle light before the sun dropped below the Sierra crest. As more and more of the scene fell into shadow I began to think of packing up and moving on… but then I saw this one final beam of light slanting across the groves. I had literally only seconds to frame the scene, configure the camera, and make three exposures before the light was gone. In the first the beam was too bright, in the third it was nearly gone… but the middle exposure worked.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Bluffs and Mist, Morning Light

Bluffs and Mist, Morning Light
Coastal bluffs, morning fog and mist along the Big Sur coast.

Bluffs and Mist, Morning Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

Coastal bluffs, morning fog and mist along the Big Sur coast.

Photographing along the Big Sur Coast in the early morning presents some challenges and some special opportunities. The challenge is straightforward — in almost all locations there are mountains to your east that block the morning light. This means that you won’t see the earliest eastern sunrise sky at all, and that the landscape is frequently all or partly in shadow. But one of the opportunities comes from the same source — light arriving along the coast just as the sun clears these obstructions often passes through narrow clefts and valleys, and when the air is full of fog and mist this can create a plethora of light beams.

Those beams are what I saw in this scene. The process of finding the composition here is one that I use a lot. I stopped at a familiar location that presents a very large and panoramic landscape featuring a famous icon. My first instinct was to photograph anything but that icon, so I framed a composition that took in a section of coast and surf running away from me to the south. After I made a few exposures of that subject, each of which tried to capture a different state of the surf, I became interested in the bluff at the far end of the scene. So I went with a very long focal length and honed in on this small part of the larger landscape, focusing on the beautiful shaft of light between the bluffs that lit up the fog and spray and highlighted sections of the surf.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Closed Fountain

Closed Fountain
A brick wall behind a fountain closed by the pandemic.

Closed Fountain. © Copyright 2021 G Dan Mitchell – all rights reserved.

A brick wall behind a fountain closed by the pandemic.

If it seems like there have been a lot of black and white photographs here recently, well, yes. I’m not certain why that is, but I do know that I began as a black and white photographer, and somehow seeing in monochrome remains at my visual core.

This photograph comes from a visit to a location we visited in order fo photograph a very different sort of subject — a beautiful (mostly) formal garden full of blossoming flowers. We went there after both of us had arrived at that wonderful point two weeks after being fully vaccinated, and it was liberating to wander (masked) through the gardens. However, somehow, among those beautiful and colorful flowers, this is what I came home with! I’m tempted to offer explanations and propose a few metaphors to consider as you view the image, but since I wasn’t really consciously thinking of them when I made the photograph, I’ll just leave the photograph here and let you decide.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.