My landscape photography often involves what might be described as hunting. I look for the potential of good light conditions and for locations with subject and compositional promise and then I… hunt. I wander, I go with hunches. I use what I know about light and terrain — but often I very much do not set out with a specific photograph in mind. This photograph was not made that way.
Continue reading Tuolumne Meadows, Evening
On this late-August evening I headed to a spot along the Tuolumne River that I had scouted earlier that afternoon. I’ve previously photographed from this location at sunset, so I had a general idea of what I would be working with. The photograph I had in mind was not this one — it fact, the planned photograph had me pointing the camera in exactly the opposite direction, toward the Sierra Nevada crest.
Continue reading Tuolumne Sunset
Photographing in the morning and evening twilight can be a bit of a crapshoot. The light can be soft yet intensely colorful… or it can simply fade away to gray. Familiarity with the patterns of clouds and light can improve the odds, but you still have to head out there and take advantage of whatever happens. That was my plan on this late-August evening when thin clouds stretched across the sky, presenting the possibility of colorful light.
Continue reading Tuolumne River, Dusk
This is not the first time that I have photographed this same subject, more or less, in evening light. Corkscrew Peak stands out in this scene of rugged, furrowed desert mountains. Because the location is on the eastern side of Death Valley, late light angles across the landscape just before the sun drops behinds mountains far to the west, and this light emphasizes the textures of the eroded landscape.
Continue reading Corkscrew Peak and Desert Hills