Last fall I was in a popular Eastern Sierra location to photograph autumn aspen color. I had arrived before sunrise, while it was still pre-dawn twilight. I began photographing before the sun came up, continued through the arrival of first direct light, then moved on to some other nearby subjects. As I continued to work I could not help noticing that the full moon was setting in the western sky.
Continue reading Sierra Setting Moon at Sunrise
Arriving at Lake Manly to photograph on this late-February morning, I would have rated the conditions as “OK but not stupendous.” I was hoping for a colorful desert sunrise over the reflecting waters of the temporary lake, but clouds muted the intensity and color of the light. My practice is to not give up but to instead find other ways of seeing the landscape. I kept photographing, and soon realized that the morning was special in different ways than I had expected.
Continue reading Morning Clouds, Lake Manly
It looks like I’m finally coming to the end of this season’s Death Valley Photographs. But there were quite a few, many featuring Lake Manly, the temporary lake flooding Badwater Basin. When the lake appears after a wet year it gives us an unusual opportunity in this desert landscape — to photograph reflected sky and mountains where we would usually see a salt flat.
Continue reading Morning Sky, Edge of Lake Manly
I spotted this cloud at the end of a very long day that began in the San Francisco Bay Area. I was on the road before sunrise, heading for Death Valley National Park. I crossed the Diablo Range, continued south on Interstate 5, then crossed the Great Central Valley through Bakersfield to climb Tehachapi Pass. From there I dropped into high desert, took route 14 north along the “baby Sierra,” then followed backroads up past Trona, eventually entering the park and crossing Towne Pass. It was after 3:00 when I finally got a campsite and started setting up.
Once I had established my camp, it was time for photography. On one hand I was excited to get started. On the other hand, after that long day it would have been easier to just enjoy a quiet evening in camp. But off I went, to an elevated position from which I could photograph sunset light on desert mountains. After the light left those peaks, it still produced some color on a few dissipating lenticular clouds high above the Panamint Mountains.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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