While Scotland’s Isle of Skye is, for good reason, a very popular place to visit, you can also find great views of the Isle and its mountains from along Scotland’s less-populated western coast. After our visit to Skye we headed north to Ullapool, and from there drove a long loop out to the village of Applecross. Before turning south toward that spot the route hugged the coastline, offering continuous views across the water to islands including Skye.
Continue reading Looking Toward Skye
As one bit of evidence that it might not be exaggerating to call this year’s flowers a “super bloom” I offer this photograph of a dense field of desert gold flowers, backed by mountains that are also beginning to show signs of spring growth. To be sure, not every gravel fan and wash in the park had this many flowers — far from it. But in many places the amount of color has been exceptional.
This photograph looks south toward the north end of the park’s Black Mountains, the ridge that runs along the east side of the main valley. It is an impressively rugged range, and it can be challenging finding a way to photograph it from this angle — the distance produces a lot of atmospheric haze. But on this day the air was relatively clear, and the colorful flowers and side-lit mountains gave the scene more definition.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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This view is from the Panamint Mountains of Death Valley. We were fortunate that it was accessible at all. The initial access road reopened days before our arrival after being closed for most of the year… and a storm closed it again on the day we left the park. The dark foreground mountain is part of the range from which I made the photograph. In the middle ground we see the still-shadowed floor of the valley with the Amargosa River passing through salt flats. Beyond that are several more desert mountain ranges disappearing into distant haze.
Some of the most spectacular sites in Death Valley National Park lie far from the familiar tourist hot spots. Reaching them may require hiking or long droves on rough desert roads. (This is a very big park!) And seeing these places at the best time often means traveling to them in predawn darkness or returning late at night. To arrive at this location we started driving a couple of hours before sunrise, and the last part of the drive was on a narrow gravel road.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
Mono Lake is a remarkable place. Lying in a relatively high, desert basin, it covers a huge area. It is so big that it is just about impossible to get a solid impression of its vast size. While you can drive past its west side and access a few spots along the north and south shores, much of it is essentially inaccessible, at least without a lot of very difficult travel. Because its level has fluctuated over time, much of the surrounding area has been submerged in the past, and the evidence of this is everywhere.
The lake itself is set in an even larger basin surrounded by mountains — the Sierra to the west and various desert ranges to the north, east, and south. I made this photograph near the base of one of those, the Mono Craters. Here an extensive ponderosa pine forest spills down from the heights and spreads across the shallower slopes of the basin, eventually fading out within sight of the lake. These trees are some of the furthest vanguards of that forest. Beyond you see the final descent the lake, the lake itself, and in the far distance the faint outlines of distant desert mountains.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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