This is not the first time that I have photographed this same subject, more or less, in evening light. Corkscrew Peak stands out in this scene of rugged, furrowed desert mountains. Because the location is on the eastern side of Death Valley, late light angles across the landscape just before the sun drops behinds mountains far to the west, and this light emphasizes the textures of the eroded landscape.
Continue reading Corkscrew Peak and Desert Hills
I have been sharing a lot of photographs from this year’s spectacular wildflower bloom in Death Valley National Park — and I’m not quite done yet! In dry years one may have to go off searching (sometimes in vain) for landscape-carpeting flowers like these. But this year, after a previous season of good rainfall the flowers were easy to find.
How easy? I made this photograph just a few minutes from the busy Furnace Creek area. Here the desert gold flowers spilled across a broad wash, past small hills, and on into the more distant wide valley. Beyond are the dark hills at the north end of the Black Mountains.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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A day or two ago I thought that I was finished with the photographs from our late-February visit to Death Valley. But I decided to make another pass at the raw files from the trip, and I found a few more photographs that I think help fill out the story of this trip. (Update: Since I wrote that I have found even more!) The highlights — and my primary photographic targets — were the exceptional wildflower bloom and Lake Manly. Here’s another of the wildflower photographs, one which illustrates the extent of some of the larger fields of color.
If you visit this spot during most of the year you might not notice much vegetation at all. Aside from a few bushes, it would mainly give the appearance of a gentle gravel slope. But in February the desert gold plants were taking full advantage of the season’s above-normal rainfall, and some places like this one were more or less carpeted with colorful flowers.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
This was one of the first photographs I made on our late-February visit to Death Valley National Park. It was literally the first time I took the camera out after arriving, and the second exposure I made. We had entered the Valley, crossed it, and were starting our drive toward Beatty, Nevada. I felt that the scene encapsulated the scale of this valley and the surrounding desert mountains, and the patch of desert gold flowers was the icing on the cake.
When arriving at a location after a very long drive, it can be tempting to just set up camp or go to the hotel and crash. But I prefer to take the camera out and at least “prime the pump” by making a few photographs. That helps get things going, and marks my switch to photographer mode for the rest of the visit.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.