This is not the first time that I have photographed this same subject, more or less, in evening light. Corkscrew Peak stands out in this scene of rugged, furrowed desert mountains. Because the location is on the eastern side of Death Valley, late light angles across the landscape just before the sun drops behinds mountains far to the west, and this light emphasizes the textures of the eroded landscape.
This was one of the first photographs I made when we arrived in Death Valley in late February. When I come to at a photographic destination there is almost a need to “warm up” (as musicians do before performing) and get the juices flowing. Once I get the equipment out and start making photographs, everything typically starts to “click,” and I’m off and running.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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