Photographing in the area around Salt Creek in Death Valley has long been a challenge. The place is intriguing, with its surprising creek flowing on the valley floor and its population of endangered pupfish. But visually it has generally not spoken to me. The light can also be challenging, especially with a large mountain range blocking late-day light. But I think there are possibilities in the area and I continue to visit from time to time.
Continue reading From Valley to Mountains
I have been sharing a lot of photographs from this year’s spectacular wildflower bloom in Death Valley National Park — and I’m not quite done yet! In dry years one may have to go off searching (sometimes in vain) for landscape-carpeting flowers like these. But this year, after a previous season of good rainfall the flowers were easy to find.
How easy? I made this photograph just a few minutes from the busy Furnace Creek area. Here the desert gold flowers spilled across a broad wash, past small hills, and on into the more distant wide valley. Beyond are the dark hills at the north end of the Black Mountains.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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On this afternoon we decided to make a late run toward the northern end of Death Valley to photograph a particular feature. We perhaps got of to a slightly late start, but the light was still interesting as we approached. Nearby there is an area of very dark soil (which I assume may have volcanic origins) with very sparse plants. I’ve tried to photograph it before but with limited success. There was lovely cloud-dappled side light when we passed so we stopped to photograph.
The plan was for a brief stop before continuing to our planned destination while the light was good. But “the best laid plans” and all of that… Once I wandered into this spare landscape I found more and more interesting things to photograph — the plants on the rolling hills, tiny wildflowers just poking up through the soil, small playa-like areas of dried mud, and more. Before long we noticed the sun dropping behind nearby mountains… and by the time we got to our planned destination the light was fading.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
It seems to me that when most people think of Death Valley National Park, the first things that come to mind are familiar desert icons, the sand dunes, with features like salt flats close behind. But the park is remarkably diverse, with other features that would surprise those who don’t know of them. Among them are the park’s canyons, some of which — like this one — feature extremely high walls.
The weather often dictates what we do on any given Death Valley day. On this one we had clouds building towards evening rain, so the light on grand landscape subjects was not especially great. So we decided to visit a canyon or two. This one is fairly accessible so we were most certainly not alone. but at times the other visitors disappeared behind curves in the canyon. I decided to include these two hikers in order to illustrate the size of the canyon.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.