Photographing in the area around Salt Creek in Death Valley has long been a challenge. The place is intriguing, with its surprising creek flowing on the valley floor and its population of endangered pupfish. But visually it has generally not spoken to me. The light can also be challenging, especially with a large mountain range blocking late-day light. But I think there are possibilities in the area and I continue to visit from time to time.
Continue reading From Valley to Mountains
This photograph contains the quintessential color palette of the Southwest in general and this Utah landscape in particular: red rock, green trees (here starting to pick up the golden tones of autumn), blue sky, and brown water. I made the photograph while looking for scenes of non-iconic subjects at Capitol Reef.
I ended up here partway through a long trip to photograph in Southern Utah. I photographed in Grand Staircase-Escalante National Monument, Capitol Reef and Zion National Parks, and a few other more remote areas. This visit was some years ago, and I would like to return and investigate more of Capitol Reef National Park, a place where it seems that many of the most interesting features are some distance from the main tourist areas.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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Judging from the muddy water, a substantial amount of Utah landscape appears to be disolved in the Virgin River and flowing out of the park! A walk through the bottomlands of Zion Canyon reveals a riparian landscape subject to periodic flooding. Seeing this, you can begin to understand the role that water has played in forming this remarkable landscape.
On this morning we left our vehicle behind, shouldered photographic gear, and crossed to the far side of the canyon and the river, then followed a trail upstream. It was quiet and there was a lot to see, including a lovely little waterfall at one point.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
Cedar Breaks seems to me a bit of an odd spot. It sits on the edge of a high ridge in Utah just south of the Brian Head ski area. While it is spectacular, it is small, and and out of the way, and I think that it gets a bit lost by comparison to the other iconic parks of the state. In fact, it wasn’t a primary destination for us either — it was near a convenient place to spend a few nights on our way between California and points east of here.
But what it lacks in size and fame, it makes up for in spectacular features. A gigantic west-facing gash cuts into the summit of a high plateau. (The difference between that gentle plateau and this feature is remarkable.) Rather than the gigantic solid masses of sandstone found in places like Zion, Capitol Reef, and Arches, here the terrain is softer and the strata seem thinner, giving it a very different character.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.