Tag Archives: formations

Red Rock Sunset

Red Rock Sunset
“Red Rock Sunset” — Sunset light on red rock formations near Fruita, Capitol Reef National Park.

This spot is obviously full of spectacular scenery, though it was a bit tricky to photograph near sunset. One of the “problems” actually turned out to be a plus. There was some overcast that muted the light, but the light was still strong enough to be softly directional, especially on the more distant cliffs. A second issue is geological. The area is on an inclined formation that rises to the west, so the sun actually drops behind the uplifted western horizon a bit earlier than true sunset.

The color was astonishingly red in this sunset light, especially since the soft light reduced harsh shadows and highlights. I don’t often include roads in my landscape photographs, but in this case, a) it was unavoidable and b) it produced a useful leading line heading toward the groves of trees and the campground at Fruita.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Sandstone Formations, Earlry Morning Light

Sandstone Formations, Earlry Morning Light
“Sandstone Formations, Early Morning Light” — Early morning light on sandstone formations at Arches National Park.

Recently I have been revisiting photographs from a decade ago, including a couple of lengthy trips to Utah in the spring and fall seasons. On one we visited Arches National Park — believe it or not, my first visit. I felt like I sort of knew the place, having read Edward Abbey’s “Desert Solitaire” a few times, but the reality of this landscape astounded me. My wife, Patricia Emerson Mitchell, likes to tell a story about me more or less losing it when I first saw those sandstone formations!

On this morning we entered the park very early, well before sunrise. I had been photographing for some time when I made this photograph. The sun had recently risen, but the light still was warm, and the effect on the red rock formations was striking. This is an example of my long-lens landscape photographs. Some people imagine that landscape photography must be done with wide and normal focal length lenses, but I often like to use long focal lengths to limit my view to small sections of the larger landscape


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Tufa, Island, Distant Mountains

Tufa, Island, Distant Mountains
“Tufa, Island, Distant Mountains” — Shoreline tufa formations, an island, and distant mountains, Mono Lake.

This view looks roughly north across the expanse of Mono Lake and Mono Basin. The foreground formations are tufa towers, exposed as the lake’s level dropped decades ago when Los Angeles began taking the water from feeder streams. The main body of the lake lies beyond the tufa. What appears to be the far shoreline is actually Paoha Island, a volcanic feature. In the far distance are desert mountains of the basin and range country.

I knew some history about the fights over Mono Lake’s water, but I learned something new on this visit. A few decades ago Los Angeles Water and Power bought out water rights up and down the Eastern Sierra, drastically changing the environment — and in places turning former lakes into dusty wastelands. This taking dropped the level of Mono Lake by many feet (it was too late for Tule Lake in Owen’s Valley) until court orders and regulations forced an agreement that LA would begin to protect the watershed, with a goal of eventually restoring the lake to a level closer to its historic level. I thought that serious progress had been made… but decades later the lake’s level is still dangerously low.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Dawn Sky, Mono Basin

Dawn Sky, Mono Basin
“Dawn Sky, Mono Basin” — Tufa towers in Mono Lake waters reflecting the dawn sky.

It is difficult to resist a visit to immense Mono Lake when I visit the Eastern Sierra, even when it isn’t the main goal of my trip. OK, it is actually just about impossible to resist making at least a quick stop there. In early July I spent a few days around the Sierra crest along the eastern boundary of Yosemite National Park, and one morning I decided to head down to Mono Lake before dawn and spend a few hours photographing in the early light.

I hade this photograph near dawn, when the pre-sunrise light was deeply coloring the sky, which was reflected in the waters of the lake. I love how the apricot-olored sky near the horizon fades to blue far above. The distant mountains are on the far side of this gigantic lake, many miles away, and this cluster of tufa towers stands a good distance out in the water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)