Several things about the scene caught my attention as we passed through this area in of Capitol Reef National Park. The background is one of the thickest and most monumental strata in this area of the park. The surface of this solid rock is, however, marked in all sorts of ways. Notably there are stains from flowing water, and in a couple of vertical bands the flow has been regard enough to encourage the growth of lichens.
Continue reading Juniper Tree, Water-Stained Cliff
I recall the first time that I became truly aware of the variety of patterns and texture found in the Sandstone faces of The Southwest. I was photographing deep in a canyon in the Grand Staircase-Escalante National Monument with friends when I got the idea to keep my eyes open for petroglyphs, something I had not previously thought much about. Before long, I started imagining petroglyphs everywhere. Eventually, realizing that was impossible, I figured out that the rocks and erosion processes themselves produce remarkable patterns.
Continue reading Stained Sandstone, Lichen
This photograph comes from a visit to Southern Utah with a couple of photographer friends some years ago. We took a week to make a loop through the southern part of the state that took in Cottonwood Canyon, the Escalante area, and a few days in the Capitol Reef neighborhood. That latter location is where I made this photograph of a juniper tree in front of a massive sandstone cliff face.
Continue reading Tree, Sandstone Cliff
Although it has been more than a decade since I made this photograph (yes, another “lost and found” photo), I have distinct memories of the circumstances surrounding it. That fall I spent a few weeks exploring the Southern Utah landscape, from the backcountry of Grand Staircase-Escalante to several national parks. Sometimes I photographed alone, but along the way I met up with various friends, relatives, and photographers.
A photographer friend and I camped for several days at Capitol Reef National Park. We explored areas near the campground. (Yes, we tried the pie…) But one day we took a longer trip into the park’s backcountry. At the end of the day we returned to the campground, and just before we arrived we stopped to photograph these autumn trees against a red rock wall.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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