I recall the first time that I became truly aware of the variety of patterns and texture found in the Sandstone faces of The Southwest. I was photographing deep in a canyon in the Grand Staircase-Escalante National Monument with friends when I got the idea to keep my eyes open for petroglyphs, something I had not previously thought much about. Before long, I started imagining petroglyphs everywhere. Eventually, realizing that was impossible, I figured out that the rocks and erosion processes themselves produce remarkable patterns.
This is a close view of a relatively small (feet wide) section of a wall in Capitol Reef National Park. The vertical lines are created by the flow of water, and the large area on the right side of the frame clearly experiences sufficient flow at times to have supported the growth of white and yellow lichens on the rock.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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