While on the Isle of Skye this past May we stayed at an out-of-the-way lodge a few miles out on a gravel single track road along Loch Snizort Beag. We may have thought that we were at the ends of the earth when we first turned off the main road onto that track, but we came to appreciate the isolation, the views… and the sheep. They filled the pastures along the road and occasionally entered the roadway itself.
Continue reading Two Trees, Stone Wall
You would probably never guess by looking at this photograph, but it was made in a location where there were a lot of other people nearby. It looks like a lonely, fog-filled forest scene, but I made the photograph while walking along a paved path to the entrance of the Pena Palace. The Palace is a remarkable structure that sits on top of a ridge above the town of Sintra, Portugal, not far from Lisbon.
Continue reading Fog and Forest, Pena Palace
I have seen some very thick fog during my time photographing winter birds in California’s Central Valley, but I don’t think I’ve ever seen it thicker than it was on this January morning. It was so thick that I pretty much had to give up on photographing birds — although I could hear them, I could not see them in in the pea soup fog!
The photograph gives a pretty good idea of the visibility. The details of the tree, only feet away from my camera position, are already largely muted and reduced to a silhouette. Beyond that the world simply… disappears. For those who may wonder, this is a color photograph! (Also, the word “tule” is pronounced TOO-lee, not like “tool.”)
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
I am always looking for simple, minimalist forms in the desert landscape. The lack of vegetation presents the landscape unadorned, and the shapes of the rugged features can acquire an abstract quality. Here the mirrored forms of the Black Mountains form a wedge shape that cuts into a blue landscape of sky and its reflection in Lake Manly.
Water in Lake Manly presents even more possibilities along these lines. In more typical conditions this photograph would be impossible. Instead of filling the frame with the sky and its reflection, the lower third would be a very dry salt flat — interesting, for sure, but entirely different than the water-reflected mirror image of the mountains and sky.
Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.