A few years a small group of us were headed into a beautiful Utah canyon on a late-October morning. We were looking forward to photographing the colorful canyon walls, the river flowing along its path, and autumn cottonwood tree colors. But as we approached the canyon entrance, before the walls began to rise above us, we were distracted by an area filled with this brush with its own version of fall color.
Continue reading Autumn Brush
As always, cracked desert mud turns out to be an irresistible subject. I photographed this little patch in the northern portion of Death Valley. We arrived as broken clouds were developing, and that gave us varied light as shadows moved across the landscape. I made this photograph in the “in between” light — not full sun, but strong enough to be directional. The mud patterns are interrupted by the pieces of old wood, but that’s not all to notice in this little scene. Look closely and you’ll see a variety of spring plants beginning to grow in this seemingly-barren terrain.
Continue reading Stick in the Mud
I have seen some very thick fog during my time photographing winter birds in California’s Central Valley, but I don’t think I’ve ever seen it thicker than it was on this January morning. It was so thick that I pretty much had to give up on photographing birds — although I could hear them, I could not see them in in the pea soup fog!
The photograph gives a pretty good idea of the visibility. The details of the tree, only feet away from my camera position, are already largely muted and reduced to a silhouette. Beyond that the world simply… disappears. For those who may wonder, this is a color photograph! (Also, the word “tule” is pronounced TOO-lee, not like “tool.”)
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
Winter is the time of fog and migratory birds in California’s Central Valley. But once again and all too soon, we are approaching the end of that season. Orchards are blooming and temperatures are rising, and in a week or two the migratory geese will be on their way north again. The thick tule fogs will give way to the clearer skies of spring.
This photograph comes from a visit to the Valley back in January, on a day I chose precisely because it was going to be foggy. It turns out that I got too much of what I was looking for — the fog never cleared, and in the murk I could not find many of the birds I came for. Instead, I photographed the quiet and mysterious landscape.
Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.