You might never guess by looking at this photograph, but I made this on a beautiful day with blue sky and dramatic clouds, in an area along a trail in the Cotswolds that was very green. I was surrounded by gentle hills, green wheat fields, and many spring-green trees. But there was this one dead snag, devoid of leaves, standing starkly against that sky.
Continue reading Snag and Sky
As always, cracked desert mud turns out to be an irresistible subject. I photographed this little patch in the northern portion of Death Valley. We arrived as broken clouds were developing, and that gave us varied light as shadows moved across the landscape. I made this photograph in the “in between” light — not full sun, but strong enough to be directional. The mud patterns are interrupted by the pieces of old wood, but that’s not all to notice in this little scene. Look closely and you’ll see a variety of spring plants beginning to grow in this seemingly-barren terrain.
Continue reading Stick in the Mud
Desert Holly must be one of the must adapted and tenacious plans in Death Valley National Park. It grows in some of the least likely spots — places where there is barely any soil, where the sun bakes the land, and where water is rare. Desert Holly plants can occasionally put out a beautiful cover of pale green leaves, but more often the plant looks dormant or dead, with many dead leaves and very dry branches.
This specimen grew in a desert wash, where water occasionally passes through this very dry area. It has to rely on fairly rare flows of water. Plants grow in much of Death Valley, but few do in this location. While a few further up the wash had green foliage, I saw only dry, desiccated leaves on this one.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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We were camped on a low hill covered with trees — likely an old lateral moraine of some sort. A subalpine lake below our hill was surrounded by meadows, and the wildflowers were still in bloom even though it was late in the season. On several occasions I just wandered slowly around and through the meadow, and on one of those walks I found this broken branch lying on the green grasses next to a few colorful wildflowers.
We had been base-camped at this Sierra Nevada backcountry location for the better part of a week when I made this photograph. Working in a limited area for an extended period reveals details that we miss on shorter visits. With less time I tend to focus on the most spectacular and dramatic elements in the landscape. But given more time I slow down and start to notice the small things like this.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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