Photographing in the morning and evening twilight can be a bit of a crapshoot. The light can be soft yet intensely colorful… or it can simply fade away to gray. Familiarity with the patterns of clouds and light can improve the odds, but you still have to head out there and take advantage of whatever happens. That was my plan on this late-August evening when thin clouds stretched across the sky, presenting the possibility of colorful light.
Continue reading Tuolumne River, Dusk
This is a companion image to another photograph that includes some the same rocks but in vertical/portrait orientation. The scene is an otherwise unremarkable section of the Merced River in Yosemite Valley that probably doesn’t merit a stop from most visitors to the Valley. (Though quite a few park photographers have stopped to make images in this general area.) The appeal is the combination of rocks (at least during periods of low flow in the river), the patterns of moving water, and reflections.
Speaking of reflections, they are the source of the warm colors in the water. They include the light on a very large sunlit cliff on the far side of the valley and the colors of autumn leaves in the forest on the opposite river bank. To notice a scene like this you have to look past what your eyes likely want to see (water and rocks) to see the intense color reflected in the water.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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I was in Yosemite Valley on the last day of October to photograph the fall colors of oak, maple, and dogwood trees. It may seem odd to some, but I barely photographed the iconic formations of the park at all, instead wandering around looking for more intimate views that suggest autumn. I made this photograph at a place along the Merced River where I’ve stopped for years, a spot where I know that I can find interesting reflected light at the right times of day.
This is a somewhat long exposure, made that way to allow the surface of the water to blur a bit. The location is in deep shadows during much of the day, but here the water reflects the surrounding trees and the light from high cliffs across the valley.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
This quiet scene was even more peaceful than usual. It was an early July evening and the campground was still closed. There was hardly anyone else up there. Walking in the meadow I doubt if I saw more than a dozen people. I paused near some half-submerged rocks along the bank of the river and made this photograph looking east toward the Sierra crest in late evening light.
Let me share a secret for those of you who like solitude. Tuolumne Meadows can be a pretty busy place during the peak summer season, between folks staying at the campground and those driving in and out for the day. But at the two most beautiful times of the day the the meadow is often nearly deserted. In the morning many people are still sleeping or on their long rives to the location, and in the evening they are again driving or else back in camp fixing dinner.
Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.