“Tufa at Dawn” — A shoreline tufa in light reflected by sunrise clouds above Mono Lake.
There is a lot to see and photographer during sunrise at Mono Lake. I was there again in late August, driving down from my Sierra campsite well before the first light. The entire process of sunrise offers photographic possibilities, from the first faint eastern light to the eventual direct sunlight on the landscape as early morning colors begin to fade. Over that entire period I worked quickly, moving from subject to subject as the light and conditions changed — focusing on everything from the sky and clouds to the tufa formations, the water, the face of the Sierra Nevada and even some birds.
“Autumn Flow #2” — The surface of the Merced River, broken by boulders, reflects golden fall colors from nearby trees.
This is a companion image to another photograph that includes some the same rocks but in vertical/portrait orientation. The scene is an otherwise unremarkable section of the Merced River in Yosemite Valley that probably doesn’t merit a stop from most visitors to the Valley. (Though quite a few park photographers have stopped to make images in this general area.) The appeal is the combination of rocks (at least during periods of low flow in the river), the patterns of moving water, and reflections.
Speaking of reflections, they are the source of the warm colors in the water. They include the light on a very large sunlit cliff on the far side of the valley and the colors of autumn leaves in the forest on the opposite river bank. To notice a scene like this you have to look past what your eyes likely want to see (water and rocks) to see the intense color reflected in the water.
“Autumn Flow” — The surface of the Merced River, broken by boulders, reflects golden fall colors from nearby trees.
I was in Yosemite Valley on the last day of October to photograph the fall colors of oak, maple, and dogwood trees. It may seem odd to some, but I barely photographed the iconic formations of the park at all, instead wandering around looking for more intimate views that suggest autumn. I made this photograph at a place along the Merced River where I’ve stopped for years, a spot where I know that I can find interesting reflected light at the right times of day.
This is a somewhat long exposure, made that way to allow the surface of the water to blur a bit. The location is in deep shadows during much of the day, but here the water reflects the surrounding trees and the light from high cliffs across the valley.
A Sierra stream flows around a rock, reflecting trees and sky.
You might think that when visiting a place with the spectacular scenic views found in Yosemite that I might find something a bit more… profound to photograph. Well, I do photograph those things, too. But these days I’m often more interested in looking for less-obvious things that perhaps have not ever been photographed. Like some rock sitting in an anonymous stream. But such rocks and such streams are as much a part of the experience of this place as the waterfalls, cliffs, and alpine peaks.
For years I had passed by a particular little bit of creek, glimpsed quickly as I passed by on my way to other places. On this day I finally stopped and took the time to poke around a bit here, and I made a few photographs of shallow water flowing over granite slabs. Here the water passes around a large rock that somehow ended up in the middle of the stream, and the moving surface of the creek reflects the surrounding forest, mountains, and the sky.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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