“Tufa, Stormy Sky” — Tufa formation in pre-sunrise light, backed by dark clouds above the Sierra Nevada.
The light on this scene was a surprise. I had left my campsite high in the Sierra Nevada while it was still dark, arriving at the shore of Mono Lake well before sunrise. For a moment I was the only person there before others began arriving. There were lot of clouds — which can be a blessing or a curse for sunrise photography, depending on where they are and whether there are breaks in the right directions. I expected to arrive at this formation in fairly dismal light, then go look for compositions and set up for sunrise.
“Autumn Foliage and Red Rock Cliffs” — Red rock cliffs tower above early autumn color and a creek, Capitol Reef National Park.
It took me several visits to get a feel for Capitol Reef National Park. The appeal of the beautiful sandstone towers, cliffs, and mountains is undeniable, but at first the park seemed sort of… small to me. As I learned more about this part, I think I see why that is and understand that it may be something of a conscious decision. The casual visitor arrives on a road that passes across the narrow width of the park, and then they visit the area around Fruita and one visitor road that enters the park from there. That doesn’t cover a lot of ground.
But much (most, by far) of this park is off the beaten path. It is accessible by vehicle, but only on long gravel roads, some of which involve challenges such as stream crossings. And the areas at the ends of those drives are relatively undeveloped. You are on your own out there, and I think that it intentional… and I approve.
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“The Manifold, Detail” — Close photograph of a section of the Manifold formation, Death Valley National Park.
Even though this photograph only shows a very small area of a much larger formation, there’s a good chance that those of you familiar with Death Valley will recognize it. The feature is called “The Manifold,” and it features ribs of soft, light-colored material stretching out from beneath a layer of darker material. For this photograph I narrowed the angle of view to only include a very small part of the larger feature.
The geology of these “badlands” features some very soft material that is easily eroded. The different colors were laid down as layers a very long time ago, and since then they have been tilted and distorted. It is hard to imagine a better place to visualize the effect that flowing water has on this desert landscape.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
“Badlands, In Shadow” — Badlands formations in early morning shadows, Death Valley.
This is another is a series of photographs I made one morning at Zabriskie Point during my late February visit to Death Valley National Park. Previously I mentioned that I rarely photograph at this spot any more — after a couple of decades it takes some pretty special conditions to persuade me to join the crowd there. I stopped when pre-dawn clouds suggested the potential for a very colorful sunrise. Alas, that did not happen, but I did get some interesting light before the direct sunlight came to the formations at Zabriskie.
I’m a big fan of photographing in subdued light and especially in shade and when reflected light fills in the shadows. That is what we see here. The morning sunlight was striking nearby subjects, but it had not yet penetrated down into this little valley. The light produced a kind of soft glow and it picked up colors from the sky and reflected light from nearby prominences that were in the sun. Once again, the Death Valley landscape is a sort of canvas that is colored by light.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
