“Dawn, Mono Lake” — Mono Lake tufas under a colorful pre-sunrise sky.
In the right conditions, a Mono Lake sunrise can be spectacular. To some extent it is up to the clouds. Clouds produce the most colorful sunrises, of course, but if they are too thick or in the wrong place they can also “turn out the lights.” The ideal, I think, is for it to be clear on the eastern horizon, with scattered clouds closer to the lake. Almost anything goes in the west — some clouds there to catch the light can be good, but clear skies and the earth shadow or even dark and dramatic clouds can work.
“Tufa, Stormy Sky” — Tufa formation in pre-sunrise light, backed by dark clouds above the Sierra Nevada.
The light on this scene was a surprise. I had left my campsite high in the Sierra Nevada while it was still dark, arriving at the shore of Mono Lake well before sunrise. For a moment I was the only person there before others began arriving. There were lot of clouds — which can be a blessing or a curse for sunrise photography, depending on where they are and whether there are breaks in the right directions. I expected to arrive at this formation in fairly dismal light, then go look for compositions and set up for sunrise.
“Old Tree at Dawn” — An old wetlands tree silhouetted against winter dawn sky and dissipating fog.
This may be the last in the string of photographs from my three days in the Central Valley landscape around New Year’s Day. But no promises — there could be more if I dig back into the raw file archives from that trip. Funny story: When I return from shoots like that I often fear that I didn’t come back with much interesting work. But then, after I start digging into the material, I inevitably find quite a bit of work that I like. I have some theories about why this happens, and at some point I’ll expand on them.
This was a really beautiful morning. Pre-dawn tule fog was not too thick – just present enough to soften the atmosphere. High clouds picked up the colors of the coming sunrise. This old tree sits on the edge of a wetlands pond, and I’ve grown to like it as I’ve photographed it over the years. This time I used a wide angle lens so that I could place it more clearly in the context of the larger landscape and skyscape.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.
“Wetlands, Winter Sky” — Pre-dawn light colors the sky and clouds above Central Valley wetlands on a winter morning.
Happy holidays on this Christmas morning! This is an older photograph, made on a winter morning a few years ago. I had arrived at this location well before sunrise to photograph migratory birds with a group of fellow photographers. Soon light started to come to the sky, and high, thin clouds started to pick up color in the brilliant early sky. The clouds and colors were reflected in a nearby wetlands pond as birds flew overhead.
I mentioned that I was there to photograph migratory birds, but sometimes I must admit that the birds may be, in part, an excuse to photograph the winter landscape. I certainly do photograph the birds out here — a lot — but I often photograph them in the landscape rather than as individuals. In fact, we’ve coined a term for these photographs of the landscapes of the birds: “birdscapes.”
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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