This is another photograph from the Alfama district of Lisbon. The neighborhood is the original center of historic Lisbon, though it later became home to lower income people. It escaped the destruction from the 18th-century earthquake that leveled large portions of the city, so it retains the narrow lanes, steep hills, and older buildings of an earlier era.
Continue reading Travessa de Sâo Miguel
This seems like a somewhat unusual aspen photograph for me. One difference is the color palette — in addition to the usual yellows and reds, there is a lot of green from the small conifers growing beneath the aspen canopy. Another difference is that I photographed during the main part of the day, rather than in the soft light of early morning or evening.
Over the course of several visits to Utah I gradually learned that the best sights are not restricted to the famous national parks. There is a lot to see and photograph in those places, but state parks, national monuments, and national forests also present loads of opportunities. This photograph was made in the vast and diverse Dixie National Forest.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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There is a lot going on here related to textures and colors. Color first: the cliff and tree colors are almost complementary. The green trees at the base of the cliff are in full shade. The further cliff face is getting both direct and reflected light. The cliffs seem massive and solid, but the surfaces are surprisingly varied. We see lighter and redder sections contrasting with almost-blue darker areas.
I was a little surprised to see trees growing so close to the base of he cliff. Often these areas are littered with accumulated rockfall debris, but here the trees don’t show any signs of that. It isn’t easy to tell from the photograph, but some of the trees are actually growing from cracks in the rock wall.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
This is another of those photographs from a distinctly non-iconic location. Once again, while driving a main route I spotted a little gravel road heading off in the general direction of a shallow valley filled with aspens. Being of a mind to explore, turned off and followed it into large groves of tall, colorful autumn aspen trees.
This scene illustrates something I have mentioned before: the California aspens in the Sierra Nevada are much different from what you see in the Southwest and any other places. I’m used to smaller groves and smaller trees, often growing so densely that it is hard to walk among them. But these trees grow tall and remarkably straight, and are spaced widely enough to allow plenty of light on the forest floor.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.