I have written about my fascination with the very old and often very large trees that we saw on our weeklong spring walk in England’s Cotswolds. Many of the large trees stand apart, often in open areas or in rows between fields and pastures. This one, however, was close to a managed forest of smaller trees, which I presume are destined to become lumber when they grow larger.
Continue reading Old Tree and Cotswalds Woods
Most of our May visit to Scotland consisted of a big loop from Inverness out to the Isle of Skye, north (often on the NC500 route), eastward along the North Sea coast, and then down the eastern coast to return to Inverness. This took us through lots of highlands country, but on this day, as we drove across the north towards John O’Groats, the mountains were receding more and more into the distance. Driving east and looking south (the North Sea was to our left) we saw this spectacular ridge.
Continue reading Mountains and Cascade
This is another photograph from the Alfama district of Lisbon. The neighborhood is the original center of historic Lisbon, though it later became home to lower income people. It escaped the destruction from the 18th-century earthquake that leveled large portions of the city, so it retains the narrow lanes, steep hills, and older buildings of an earlier era.
Continue reading Travessa de Sâo Miguel
This seems like a somewhat unusual aspen photograph for me. One difference is the color palette — in addition to the usual yellows and reds, there is a lot of green from the small conifers growing beneath the aspen canopy. Another difference is that I photographed during the main part of the day, rather than in the soft light of early morning or evening.
Over the course of several visits to Utah I gradually learned that the best sights are not restricted to the famous national parks. There is a lot to see and photograph in those places, but state parks, national monuments, and national forests also present loads of opportunities. This photograph was made in the vast and diverse Dixie National Forest.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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