I have written about my fascination with the very old and often very large trees that we saw on our weeklong spring walk in England’s Cotswolds. Many of the large trees stand apart, often in open areas or in rows between fields and pastures. This one, however, was close to a managed forest of smaller trees, which I presume are destined to become lumber when they grow larger.
Continue reading Old Tree and Cotswalds Woods
By now this meadow and its trees and beautiful light seem like old friends. Over the years I have photographed these subjects many times — in winter snow, autumn color, spring greenery, and even in the hot, crowded summer months. Many things have changed during that time. A few trees have fallen and their trunks and branches decay, and a few young, new trees have appeared. Access has become more difficult as the Park Service tries to protect the vegetation, a change about which those of us who remember the “before times” have mixed feelings.
Ironically, the beautiful light streaming down through a gap in the upper cliffs and lighting the trees and meadows is emphasized here by smoke. It being autumn when I made the photograph, it was the season for managed fires, set in order to clear out excess undergrowth and promote a more healthy forest. But still, it was a bit disappointing to arrive in the Valley and find it full of smoke — until I noticed the beautiful effect it had on this light!
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email
Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.
Scroll down to share comments or questions. (Click post title first if viewing on the home page.)
All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.
This is a photograph of another branch of the creek that was featured in a recent photograph. The creek in the previous photograph flowed under a bridge to join the creek seen here. Both flowed down gentle rocky sloped though a quiet hardwood forest that was perhaps just past the prime color. On a day when crowds were visiting the more famous sites in this mountain range, it was pleasant to stop here in the still quiet for a while.
People from the Northeast who have me advice on this trip recommended several thing. Some had to do with timing, some with the typical transitions of the color. Others were about locations — and as a first-time visitor to this area I needed that advice. In addition to pointing out some of the must-see locations, almost everyone also said to get off the main roads and poke around some of the backroads, especially the smaller gravel routes. This was one of those, a road that we followed on a whim — and we ended up off the beaten path in places that are not as frequently visited.
COMMENT OR QUESTION? Scroll down to the comment form.
Prints are available. Read about licensing and print sales.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
This photograph, if nothing else, illustrates some aspects of how New England fall color is different from what I usually photograph in California, particularly in the Sierra Nevada. Out here the colors tend to be relatively uniform, usually yellow to brown, broken by occasional examples of other colors. For example, the great majority of our aspens turn yellow/gold, which is why the occasional red and orange exceptions attract so much attention. And the Sierra trees are far less likely to appear in huge, mountain-covering stands — they more typically line the bottom of a valley, run upslope along a gully or other feature, and are surrounded by green conifers.
So what differences can we see here? First, the hardwoods vastly outnumber the sparse conifer trees. (I like the contrast the latter provide, however.) The hardwood forest stretches for great distances — that area of the photograph is quite large but it is only a small portion of the fall-colored trees I could see here. The tree color is also much more diverse, here including every shade from green through orange and red.
Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.