“Wheat Field and Building Clouds” — Thunderheads rise above a Cotswolds wheat field.
If you are following along, it may start to be difficult to follow the itinerary of our late-spring trip to the British Isles. We started in Scotland, spent time in Ireland, then headed to England for about three weeks. The first week in England was spent on a walk between villages in the Cotswolds. We had heard about people doing that, and it sounded fun — and we were able to meet up with relatives who live in Europe.
People pause by the edge of a lake on a rainy spring day at Central Park, Manhattan.
Who says that all landscapes must be natural landscapes? No one, actually, though there is a long tradition (starting way before photography existed) of depicting the landscape inclusive of the human presence: small figures, structures, bridges and roads, ships, and so on. Although I usually categorize my photographs in various ways (if for no other reason than searching is easier), this series cuts across a few of the usual categories.
It was a rainy morning among a series of rainy spring days in Manhattan, and many of us were anxious enough to get out and enjoy New York’s “spring” that we went out even as rain threatened. At times the rain was heavy but mostly it just sprinkled steadily, as it was when I made this photograph, with people standing on the banks of the pond and clouds shrouding the upper stories of Manhattan buildings.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Lush undergrowth and ferns, with a tinge of late-season color, along a Vermont roadway.
Most likely no one noticed, but I have jumped from #4 straight to #6. What happened to #5? It is coming, but I felt like sharing this one first! Like most of the “New England Woods” photographs from our August visit to (mostly) Vermont and (a little bit) Massachusetts, I made this one while walking along the edge of the woods. I recently remarked to an East Coast photographer (while recording for a B&H Explora podcast about photographing fall color) that I was challenged by the density of these woods. Somewhat to my relief, he sympathized and mentioned something that I was starting to discover — it isn’t always easy to find a camera position, and that walking into the forest or along its edge can be a good idea. I made this photograph while walking along a rural Vermont road.
In California it can be hard to find subjects with this much green by the time August arrives. Out here we usually don’t see much rain in the summer months, and our green season is winter. (I often tell people who visit from other places and are surprised by our dry summer landscape, “Come back in winter!”) About the only place here to find such a natural scene full of ferns is in the redwoods, though sometimes I can find small examples near sources of water elsewhere.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Thick green woods along a road in Southern Vermont.
I am not quite done with the New England photographs yet, not by a long shot. Stay tuned. This is another one from our August visit to the East Coast, when we joined members of our extended family for a week at a place near Wilmington in Southern Vermont. The main goal of this event was family-oriented — lots of eating, talking, sitting around — but nearby rural roads provided lots of opportunities for learning about and photographing these woods.
This is, it almost goes without saying, not at all like my familiar haunts on the West Coast. At the time of year when California is largely golden-brown, the Vermont countryside was lush and green. Remarkable, and almost unbelievably, Vermonters were talking about this year’s drought! It sure didn’t look like any drought I’ve seen before in the West! The trees and undergrowth are so dense and green that it can be hard to photograph them — so I often found myself photographing into the edge of the forest from roads and trails.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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