In case you haven’t heard, it is wet in Scotland. I knew this, having been there before, but coming from the relatively dry California climate, it is still quite a contrast. One thing that still takes me by surprise at first is the size of the streams and rivers that rise over short distances — and that they are everywhere. We stopped and photographed this roadside cascade as we were departing Skye to head north.
Continue reading Marsco and Waterfall
This seemed to me like a particularly picturesque curve in the Leie River though the old section of Ghent, Belgium. Although the sky suggests partly sunny light, it remained a bit overcast where we were, thus the very soft light in this photograph. This is a busy place, and there were not a lot of opportunities to photograph just one or two people in this scene.
We were only in Ghent briefly — we took a train there from Brussels for the day. We spent the day walking around the center of the city, where there are many old buildings and perhaps one of the greatest concentrations of church spires I have seen. I made the photograph as we walked a bridge connecting the two sides of the river.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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It seems to me that when most people think of Death Valley National Park, the first things that come to mind are familiar desert icons, the sand dunes, with features like salt flats close behind. But the park is remarkably diverse, with other features that would surprise those who don’t know of them. Among them are the park’s canyons, some of which — like this one — feature extremely high walls.
The weather often dictates what we do on any given Death Valley day. On this one we had clouds building towards evening rain, so the light on grand landscape subjects was not especially great. So we decided to visit a canyon or two. This one is fairly accessible so we were most certainly not alone. but at times the other visitors disappeared behind curves in the canyon. I decided to include these two hikers in order to illustrate the size of the canyon.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
Riquewihr, in the Alsace region of France, is one of those “too-cute-to-believe” villages, made extra so around Christmas, which is when we visited. Like many of the old villages here, it fits the expected profile of cute old villages, with an entrance through an old arch and many half-timbered old buildings lining a cobblestone street. Add holiday lights and it is almost a holiday sensory overload.
We stayed on the edge of the town for several days, so we could simply walk into the village. That’s what we did on this evening, when we took a stroll up and down the main street. I saw this walkway, with its great old bare tree and Christmas decorations beneath.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.