I photographed this doorway on a block in Dublin’s Temple Bar District that features several little shops — eateries, a used clothing store, and so forth. Temple Bar is a busy place and not visually subtle. So I imagine that the bar is pretty high when it comes to attracting the eyeballs of passers-by. As a result, there is eye-catching exterior paint, large and colorful signs, and more.
Continue reading White Door, Dublin
There is a bit of a story about our May visit to Aberdeen, after our northwest Scotland loop and before we flew to Ireland. Patty had been to Aberdeen decades ago for a music festival, when she was on an international orchestra tour, and I think she has always wanted to revisit this place. In addition, it seemed like a good place to enjoy a couple of slow days before embarking on the rest of our six-week trip through Scotland, Ireland, and England. So we had no big plans, and on this day we simply headed off on a “random walk.”
Continue reading Kirk of St. Nicholas
The photograph comes from a trip some years back that took me to Capitol Reef National Park. Although it was challenging to find the right composition, I wanted to get a photograph of this bend in an anonymous red rock canyon where trees were tucked into the edge of hollowed out rock. The feature is fascinating, but it is more or less unmarked, like so many similar features in this landscape.
Continue reading A Red Rock Canyon
It seems to me that when most people think of Death Valley National Park, the first things that come to mind are familiar desert icons, the sand dunes, with features like salt flats close behind. But the park is remarkably diverse, with other features that would surprise those who don’t know of them. Among them are the park’s canyons, some of which — like this one — feature extremely high walls.
The weather often dictates what we do on any given Death Valley day. On this one we had clouds building towards evening rain, so the light on grand landscape subjects was not especially great. So we decided to visit a canyon or two. This one is fairly accessible so we were most certainly not alone. but at times the other visitors disappeared behind curves in the canyon. I decided to include these two hikers in order to illustrate the size of the canyon.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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