I photographed this doorway on a block in Dublin’s Temple Bar District that features several little shops — eateries, a used clothing store, and so forth. Temple Bar is a busy place and not visually subtle. So I imagine that the bar is pretty high when it comes to attracting the eyeballs of passers-by. As a result, there is eye-catching exterior paint, large and colorful signs, and more.
Continue reading White Door, Dublin
This is another street photograph from central Aberdeen, Scotland, a bit west the Victoria Dock. There are many old and narrow streets here that twist and turn in interesting ways. Some of the streets feature a lot of street art and, unlike in some places I’ve visited and photographed, much of it stands apart for better viewing and is rarely defaced by graffiti.
Continue reading Red Boxes
This image was on, as best as I could tell, some kind of utility box near the entrance to a building in Arezzo, Italy. I recall first becoming aware of similar things in Florence a few years ago, where I saw (and also photographed) an image of composer Giuseppe Verdi. (Verdi wears goggles in that image, which is the signature of an artist known as “Blub.”) I like them quite a lot — for their combination of whimsy, references to great art in everyday circumstances, and how they disrupt what can be a somewhat plain visual environment.
This was not the only one we saw in the Arezzo. As we walked around the small central area o the town we saw others with a variety of different themes. (You can find many more images by the artist, Mauricio Rapiti, on social media and elsewhere.) In this case, it wasn’t just the image itself that caught my attention, but also the way it interacts with the lines of the wall on which it is placed.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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We spent several very enjoyable days in Bologna, Italy last summer. There are many wonderful things about this city — its two famous towers, the activities in the central piazza, the food, and more. But the amount of graffiti in the central city is quite striking, to the point that it seems to be a real part of the city’s character. The street art is quite diverse, including the familiar large scrawls, bits of poetry, and more — in this area including a Madonna and Child image.
I remember this from our first visit years ago. We came into the city late in the day, dropped off the car in a garage staffed with questionable characters, had to hunt for our lodgings inside an unmarked building, and then found ourselves unable to enter. We got in, got settled, and went out to find dinner. In our area the streets were deserted, no streetlights were on, nothing was opened, the walls were covered with similar graffiti. The sensory effect was post-apocalyptic. (I can report that the Bologna experience is mostly much different than that!)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email
Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.
Scroll down to share comments or questions. (Click post title first if viewing on the home page.)
All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.