Tag Archives: paint

Largo do Peneireiro

Largo do Peneireiro
“Largo do Peneireiro” — Colorful streamers above narrow streets in the Alfama District, Lisbon.

This is a little street scene in Lisbon’s Alfama neighborhood. The area rises from the river’s edge toward the hill of the St. George Castle. This was the original center of Lisbon before it expanded, and it later was the home of less wealthy citizens of the city. Its age (it escaped destruction in the 18th-century earthquake that destroyed much of Lisbon ) means that the area retains the original narrow and twisting streets.

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Lisbon Graffiti #2

Lisbon Graffiti #2
“Lisbon Graffiti #2” — Brilliantly colorful graffiti on a door in the Alfama district of Lisbon, Portugal.

I am often a bit uneasy about photographing street art, tags, and graffiti. In some cases it feels more like attention-getting vandalism than creative work. But there are exceptions in places where it seems to be mostly tolerated, and when the work seems like an interesting expression.

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Lisbon Graffiti #1

Lisbon Graffiti #1
“Lisbon Graffiti #1” — Colorful graffiti on a door in the Alfama district of Lisbon, Portugal.

Here is one more photograph of Lisbon graffiti, this one from a wall next to a sidewalk in the lower Alfama neighborhood. The colors and patterns are so vivid that you might not even notice the doorway in the wall behind the paint. The colors of this street anrt are were perhaps the most intense that I recall seeing.

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NOW

NOW
“NOW” — An impromptu poster and other things on a wall in Brussels.

One thing that appeals to me about street art (and not everything about it always does!) is how it “lives” where it was made. It is created by people using a variety of media: paint, ink, paper, glue, you name it. They leave it behind on its own where it deteriorates, may be defaced, gets added to, and eventually is covered by someone else’s creation. Someone creates it, but the eventual effect is often out of their hands.

This sign, or what remained of it, was taped to a steel roll-up door along a Brussels street. The “NOW’ remains emphatic in all-upper-case and red, but what it was that was so timely is a mystery since the upper portion has been ripped. A closer look reveals a few more details that may (or may not) provide some clues.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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