“Ivy Roots” — Intertwined ivy roots draping across a concrete retaining wall.
I have walked past this place scores of times — it is along one of my regular walks. I walk almost daily, often along one of a group of familiar routes. It had been weeks since I last did this one, so it was time again to visit it. As I walked along a creek and past some commercial buildings I “saw” something that I have certainly seen before, but not really noticed — a great wall of ivy roots stretched across concrete.
“One Rock” — A solitary orange-tinted rock on a bed of blue and gray rock.
Rocks tell stories in the high country of the Sierra Nevada. I can’t understand the details of all of these stories (I’m not a geologist!) but I understand some of the themes. One is the constant wearing down and eroding of the highest peaks, a process that eventually transports rocks far from their source. And when this happens you find things like this solitary orange-toned rock sitting on a bed of entirely different material.
These small details fascinate me in the mountains. Yes, I do love and am impressed by wide panoramas and towering, dramatic ridges. But over time I’ve learned to look at smaller things. They provide so much material for photography, they are everywhere, and they turn seemingly familiar landscapes into endlessly fascinating places.
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“Green and Blue Windows” — Green and blue window frams on a blue-gray wall, San Jose.
Some subjects turn out to have been right in front of you all along. These window frames are at an old industrial building that I visit frequently. There’s a coffee place inside where we sometimes grab an espresso. Even better, there’s a fine local brewery. Beyond that, the building happens to be on one of my walking loops (the “four mile loop”) and I frequently pass through the parking lot where these windows are located.
Yet, despite having gone there for several years, I first noticed the windows only recently on one of my walks. I resolved to bring the camera with me the next time, and target the late morning hours when I new the sun would be almost in line with the wall, producing some interesting diagonal shadows.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
“Clearing Fog, Point Lobos” — Morning fog clears in the distance at Point Lobos.
In early spring I made a quick visit to Point Lobos, located between Monterey and the Big Sur area. (The latter was still closed due to storm-caused road damage, and the thru-route won’t likely open again until much later this year.) I went early on a weekday morning, more or less the only way to enjoy this place without crowds, especially now that the weather is warming. I spent hours slowly wandering familiar areas, and enjoying the quiet morning.
As much as any other photographer, I often gravitate to making photographs of the Pacific coast that capture its grand scale and the power of the ocean. (I love to photograph the drama of Pacific winter storm surf.) But this morning and this picture represent a different but also compelling state of the coast — a quiet, gray day on which nothing seemed hurried.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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