Tag Archives: gray

Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Geese in Flight, Winter Sky

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A flock of snow geese in flight against a winter dusk sky, California Central Valley.

Geese in Flight, Winter Sky. © Copyright 2021 G Dan Mitchell – all rights reserved.

A flock of snow geese in flight against a winter dusk sky, California Central Valley.

February seems to be the time of year when California’ over-wintering migratory birds become restless. Earlier in the season they often seem somewhat inactive and may be difficult to locate, but on February days, at least in my experience, they are more active throughout the day and are present in much greater numbers . I estimate that at one point I saw perhaps multiple tens of thousands of geese on one large system of ponds.. By evening they were everywhere, and the sound was simply astonishing.

I’ve written that my ideal winter bird photography weather calls for tule fog in the morning and hazy sky during the rest of the day. This was not that kind of day. The sun rose in clear air, and hardly any clouds appeared in the blue sky, aside from a few low clouds far to the east along the line Sierra Nevada. (At times, snow-covered peaks were visible above the clouds.) Just after sunset the sky turned pink above the blue-gray of the earth’s shadow, and this huge flock of (mostly) snow geese wheeled wildly in front of the pink-gray boundary.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Nevada

Dormant and Alive

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Dormant and Alive
dormant and live trees form patterns against a cliff face, Great Basin National Park

Dormant and Alive. Great Basin National Park, Nevada. September 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Dormant and live trees form patterns against a cliff face, Great Basin National Park

On my first visit to Nevada’s Great Basin National Park near the end of September, my initial impression was that the “big features” of the park that probably draw the most visitors are two: The Lehman Caves near the entrance and visitor center and the high, alpine area close to Wheeler Peak, the highest point in the park and the second tallest in the state of Nevada. I did not visit the caves, but I did spend a fair amount of time high up near the peaks, photographing and hiking to the alpine lakes and the bristlecone pine groves. (My one regret is that I started out a bit too late on the bristlecone pine visit, and I didn’t have enough time to cover the additional two miles up to and back from the Wheeler Glacier.)

Eventually, as typically happens, I had made my acquaintance with the iconic subjects in the park, and I started to feel the familiar impulse to look around a bit for things that might not be so obvious or immediately impressive. The first foray was up a gravel road past some less developed campgrounds, where I came across at section of low cliff running alongside a gravel road and stream bed. The autumn colors were just beginning to arrive here, so I got out and wandered a bit, looking for juxtapositions of rock and tree. This little vignette attracted my attention, and I was fascinated by the pairing of a living tree full of leaves (albeit just about to turn colors and drop) and the nearby bare, white branches holding only dead leaves, with both set off from the rock behind them.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Southern California, Photographs: Urban/Street

Black and White Stripes

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Black and White Stripes
Black and white strips on a bus stop billboard

Black and White Stripes. Pasadena, California. January 6, 2017. Copyright 2017 G Dan Mitchell – all rights reserved.

Black and white strips on a bus stop billboard

For a guy who photographs landscapes, shooting street photography can be liberating and a whole lot of fun. Consider: Rather than carrying a large tripod, a big camera, a bag full of lenses — not that I’m complaining! — I can go out with a camera I can hold in one hand, usually with a single prime lens, and I can simply respond immediately to whatever I see. Subjects can include commercial signs, architecture, people, you name it. On a practical note, photographing this way helps me tune up my “seeing” so that I more quickly can find and figure out how to photograph things.

We were killing time in the late afternoon in Pasadena, California, between a midday event and a rendezvous for dinner in the evening. We walked some, hung out in a little place for a while, then walked more, had coffee, and walked again. This pattern was part of an advertising graphic on a sign at a bus stop, if I recall correctly.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Marsh Grasses, Fog

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Marsh Grasses, Fog
Marsh Grasses, Fog

Marsh Grasses, Fog. San Joaquin Valley, California. November 24, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Marsh grasses in a pond on a morning of dense fog in California’s San Joaquin Valley

This photograph is from a visit to one of the places where I photograph birds this time of year, a trip I made back in late November. Aside from one earlier trip to photograph sandhill cranes further north, this was my first attempt to find and photograph geese this season. (There were geese, but just not yet the Ross’s and snow geese that arrive a bit later on.)

Although it had been nearly clear on my long pre-dawn drive over to the valley from the San Francisco Bay Area, I hit thick fog about 15 minutes from my goal. From my point of view, that is good news! Clear light and atmosphere can be good, too, but fog is more evocative and mysterious – and as it thins and clears the atmosphere goes through a series of very different stages, each of which brings different photographic opportunities. I arrived a few minutes before dawn and began to photograph in fog so thick that I couldn’t see very far at all. After photographing the filtered light of the sunrise I moved along a bit further to an area where I can often find sandhill cranes. On this morning I had more luck identifying them by sound than by sight!  Since I couldn’t see the birds I decided to photograph the ponds and surrounding vegetation in the thick blanket of fog.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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