This is a bit of an odd post for this site. While updating older photographs and posts I was unable to locate this one. So I’m sort of semi/maybe/kind of reposting it. The photograph comes from almost two decades ago on one of my many visits to the Big Sur Coastline of California. This visit was on a late-spring day when fog was clearing from coastal bluffs and the surf was active.
Continue reading Big Sur Coast Near Hurricane Point
I intentionally framed this view to exclude everything except the rocky coastline and the wild Pacific Ocean surf. The Pacific Coast Highway (US1) runs along the coastal bluffs just above those far formations, but below these bluffs the ocean and the land do constant battle, with the ocean inevitably winning as it erodes and washes away the land.
When I look at sea stacks like these I am reminded that the water’s edge was once further west, and what are now off-shore outcroppings were once part of the mainland. These peninsulas and sea stacks were left standing far out in the water as the land around them disappeared.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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California’s coast is quite varied — in places you can find classic wide beaches, but there are impossibly rugged, inaccessible areas, too. (One section in far-northern California is so rugged that engineers were forced to divert the route of Highway 1 far inland.) This photograph comes from a section of the upper Big Sur coast that combines that ruggedness with a degree of accessibility.
I visited on the late-June morning because friends and fellow photographers were visiting the area — so it was a chance both to photograph and to meet up with them. We arrived very early, before the tourist crowds, and photographed soon after the sun cleared the coastal hills and light arrived on the rugged, rocky shoreline and surf.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
We were on the upper Big Sur coast on this June morning, photographing large surf along with sea stacks and steep cliffs. I first worked that subject from some distance using long lenses, then moved right down to the edge of the water for intimate landscape/seascape images. Eventually I decided to head back up and away from the immediate coast, and as I walked I came across this little cascade.
I thought that the angle of the falling water below the little gully was interesting, and I like the back light an rim light on the edges of the rocks. The combination of thin fog and ocean spray added a muted quality to the atmosphere. The biggest challenge here was that the primary subject, the falling water, was in shadow, and this muted its brightness a bit.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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(All media © Copyright G Dan Mitchell and others.)
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