This is a bit of an odd post for this site. While updating older photographs and posts I was unable to locate this one. So I’m sort of semi/maybe/kind of reposting it. The photograph comes from almost two decades ago on one of my many visits to the Big Sur Coastline of California. This visit was on a late-spring day when fog was clearing from coastal bluffs and the surf was active.
Continue reading Big Sur Coast Near Hurricane Point
The Big Sur Coast seems to strtch on forever, with rugged mountains dropping precipitously into the Pacific Ocean. Ridges are separated by small valleys, and a drive along the Pacific Coast Highway often follows a pattern of turning inland to cross a valley and then turning toward the ocean to cross another ridge. And from high on these ridges the views are usually spectacular, taking in great expanses of that coast and Pacific Ocean panoramas.
A combination of characteristics makes this area quite “photographable” outside of the favored very early and very late hours. The coast trends from northwest to southeast, so as midday approaches the sun can be right above the coast, providing backlight that highlights the receding ridges. (A bit later its light reflects off the water.) And often the morning fog has cleared but left a bit of haze behind, and on the best days it glows luminously.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email
Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.
Scroll down to share comments or questions. (Click post title first if viewing on the home page.)
All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.
It is quite an experience to get up close and personal with huge storm surf like this — though having a very long lens and finding the right shooting location helps makes it safe. We headed to the coast south of San Francisco during California’s bout of giant waves between Christmas and New Year’s Day. At this location a peninsula juts out into the ocean between a beach and a bay. At the tip of this peninsula one is very close to the waves as they break and roll into that bay.
In a way, photographing these waves is more or less like photographing moving landscapes. They have slopes, peaks, and cliffs, and the effects of wind and light are part of the scene. The main difference is that everything is ephemeral. The landscape stands still, but when photographing waves the landscape photographer has to think more like someone photographing active wildlife or sports, making instantaneous, intuitive decisions about timing and composition.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email
Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.
Scroll down to share comments or questions. (Click post title first if viewing on the home page.)
All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.
Edge of the Pacific. © Copyright 2021 G Dan Mitchell – all rights reserved.
Boulders and surf under clearing fog along the Big Sur coast.
This photograph likely looks a bit… ambiguous. In fact, it was that sort of day along this section of the California coast. I’m generally a fan of fog when I go to photograph there, but getting just the right amount of fog in the right places takes a bit of luck — we don’t control that! I was hoping for the kind of day that starts with thick, mysterious fog but then transitions to clearing, gradually revealing features as the sun begins to appear. But that fog never fully cleared. (At one point as I was photographing a disappointed tourist stopped and more or less asked me where the Pacific Ocean was and whether or not he might be able to see it.)
Later in the afternoon the fog did begin to diminish a bit, but it remained right up against the coast. In many places when I positioned myself to photograph over the ocean, the sun was shining on the hills directly behind me as I pointed the camera into the murk at the edge fo the land. In this spot the fog had sufficiently thinned right at the coast and I was able to make out rocks right at the water’s edge… but the fog obscured and muted the more distant ocean. That distant, fuzzy line near the top of the frame is some vague, opaque combination of the horizon and fog.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Blog | About | Flickr | Facebook | Email
Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.
Scroll down to leave a comment or question.
All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.